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  • Media Forum 2001 -
    Media Forum is now in its second year which is certainly no anniversary. However, this brings its organizers both a great happiness and some significant difficulties. We are happy because the pilot issue of the Media Forum 2000 programme claims now
  • Visions of Hildegard, C
    en los últimos años. Twenty-six Visions of Hildegarde. 30" by 22", 2000. Algorithmic pen and ink drawing on paper with 4 gold leafed medallions. (Original algorithmic procedures date from the early 1990's.) Los dibujos de la familia
  • Paul Vanouse - Fingerprints
    Vanouse, Paul and Simon A. Cole and Jens Hauser and Hans-Jörg Rheinberger. Paul Vanouse - Fingerprints. Germany: Jens Hauser and Heike-Catherina Mertens, Schering Stiftung, 2011.
  • Museum for Insects - video
    Can we know insects through electronic and artistic interfaces? Do they know us? Can they experience art? Can we develop new relationships with them? I built a miniature museum space and used telepresent technologies to re-scale the situation and to
  • Chapelle des Jesuites
    Restany, Pierre, ed. Chapelle des Jesuites. : Edition Maeght, 1991.
  • Joachim Blank
    Joachim Blank, Mitbegründer von Internationale Stadt Berlin, war seit Beginn der 90er Jahre als Künstler, Initiator und Autor in grundlegende Projekte involviert, die den durch die Digitalisierung ausgelösten Paradigmenwechsel hinterfragten. Mit
  • Pam Skelton at the Imperial War Museum
    Elwes, Catherine. Pam Skelton at the Imperial War Museum Art Monthly (April 1995).
  • A Computer in the Art Room: The Origins of British Computer Arts 1950-1980
    Catherine Mason. A Computer in the Art Room: The Origins of British Computer Arts 1950-1980. Norfolk, UK: JJG Publishing, 2008.
  • Routes towards British Computer Arts: The Role of Cultural Institutions, Bulletin of the Computer Arts Society
    Mason, Catherine. Routes towards British Computer Arts: The Role of Cultural Institutions, Bulletin of the Computer Arts Society Page 57 (Summer 2004).
  • Catherine Ikam
    Since 1980 Catherine Ikam has been working on the concept of identity in the digital age, themes of identity and appearance, the living and the artificial, and the human and the model. In collaboration with Louis Fléri she has produced virtual
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