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  • Uprising
    Stocker, Gerfried. Uprising In Genesis, edited by O. K. Center for Contemporary Art, 41-43. Linz: 1999.
  • Facing Reality
    Dolinsky, Margarete. Facing Reality Artists Using Science and Technology, YLEM Newsletter (July/August 1999).
  • Cultural Heritage and New Medias
    Fischnaller, Franz. Cultural Heritage and New Medias In Pendulum Symposium: Mediterranean and Balkan Art and Technology, , 47-48. Athens, Greece: 1999.
  • Multi Mega Book in the Cave
    Fischnaller, Franz. Multi Mega Book in the Cave In XXXIV Incontri Di Sorrento Del Cinema e dell´Audiovisio, edited by Gennarelli Bideri, 35-36. Naples: 1999.
  • Robots Avatars Dealing wih Virtual Illusions
    Fischnaller, Franz. Robots Avatars Dealing wih Virtual Illusions In Cyberarts `99: International Compendium Prix Ars Electronica, edited by Christine Schöpf and Hannes Leopoldseder, 49-50. Vienna, New York: Springer, 1999.
  • Graham Nicholls
    In 1999 Graham Nicholls had his first solo show in New York City. This was to launch him onto an international arena. Since that time his work has become more and more experimental and cutting edge. With work such as LAM exploring the possibilities
  • Ubermorgen
    Ubermorgen is a group of artists in Vienna, Austria, founded in 1999 by Hans Bernhard (founder of etoy) and Lizvlx. Ubermorgen focuses on exploring contemporary legal issues, especially those of security, privacy and copyright. Übermorgen is the
  • Stasis: Digital Hypnosis
    Brown, Richard. Stasis: Digital Hypnosis In Reframing Consciousness, edited by Roy AscottLondon, UK: Intellect Books, 1999.
  • Beyond the Screen: New Directions in Interactive Art
    Kac, Eduardo. Beyond the Screen: New Directions in Interactive Art Blimp: Film Magazine 40 (1999): 49-54.
  • Andrea Polli
    Andrea Polli is an artist working at the intersection of art, science and technology whose practice includes media installation, public interventions, curating and directing art and community projects and writing. She has been creating media and
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