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  • Machinery on the memory line of the configuration file... The 3 levels of images: Foreground-Matte-Background (Front-Back-Matte) The 3 levels of commodities: Sensitive-No-Sensitive-Suprasensitive. Oculus Oracle The labourer is distinguishable only
  • Incompatibility is the condition arising when things are not working together. Given the current worldwide proclamations of crisis, be they political, financial, technological or environmental, it may seem as if incompatible elements and situations
  • Andres E Burbano and Esteban García. Desxiframent del codi navajo amb Bill Toledo Artnodes: revista d'art, ciència i tecnologia (2015).
  • 4 Space -
    In this interactive installation, three viewers are able to manipulate components of a computer-generated image using multi-axis joysticks positioned in front of a projection screen. The image is a half octagonal cylinder that is divided into three
  • Camouflage -
    Intervention For the temporary intervention 'Camouflage' the ten national flags attached to flagpoles at the bus parking lot on the Bieler Höhe were exchanged for monochrome quartz green banners. Not until they were approached did they appear to
  • Energy conversion -
    In the plant cell, huge numbers of chlorophyll molecules are linked one to another. When they receive light, they synchronize their activity perfectly. Each of the molecules receives and transmits photons all the way to the reaction center of the
  • HAZE Express - video
    HAZE Express is an interactive computer installation that develops the metaphor of traveling and watching landscapes passing by through the window of vehicles such as trains, cars and air planes. When looking at a landscape at high speed, one does
  • The first major interactive work was entitled The Watch Detail (1990). Video images, sound and text that addressed the subject of time were explored interactively. This work employed Macintosh Hypercard media, that was used to control an interactive
  • span 3 -
    isabelle jenniches span 3, 2008-2009 Digital LightJet print, 73.7 x 304.8 cm Acknowledgements: Jeroen Doorenweerd & Rijksgebouwendienst, Douanekantoor Maasvlakte Many miles away from the actual location, yet connected via the Internet,
  • Blow Up records, amplifies, and projects human breath into a room-sized field of wind. The installation comprises two devices. The first is a rectangular array of twelve small impellers, which stands on a table on one side of the gallery. This small