Search

Pulse 1999 - 1999

Together the two projects, "p-Soup" and "Pulse", offer an experience of the special saturation and hue of monitor colours in varying combinations and continuous movement. The automation of image production is a fascinating dream born out of the
Transmediale.14: The Afterglow 2014

Event: Transmediale.14: The AfterglowInstitution: TransmedialeComment:
Digital Dialectics: A Hybrid Theory of Computer Media 1993

Lunenfeld, Peter. Digital Dialectics: A Hybrid Theory of Computer Media Afterimage 21 (November 1993): 5-7.
Sweet´N`Sour 1993

Willis, Holly. Sweet´N`Sour Afterimage 20, no. 10 (May 1993).
Virtual Cave Dwellers: Siggraph ´92 1992

Manovich, Lev. Virtual Cave Dwellers: Siggraph ´92 Afterimage 20, no. 3 (October 1992): 3-4.
Smart Bombs, Foolish Strategies 1992

Penny, Simon. Smart Bombs, Foolish Strategies Afterimage 19, no. 9 (April 1992).
Potential Spaces. Wie können Kunst & Design im 21. Jahrhundert erforscht und gelernt werden? 2017 - 2017

Potential Spaces Wie können Kunst & Design im 21. Jahrhundert erforscht und gelernt werden? Do, 16.02.2017 – Sa, 18.02.2017, Staatliche Hochschule für Gestaltung Karlsruhe (HfG); Großes Studio, ZKM_Kubus Beschreibung Die Konferenz »Potential
Report about Simon Penny 1995

Slaven, Michael. Report about Simon Penny Afterimage (March/April 1995).
Evolving Traditions: Artists Working in New Media 2003

Thompson, Seth. Evolving Traditions: Artists Working in New Media Afterimage (November/December 2003).
Season in Hell: Orf´s Descent 2005 - 2005

Video: In this excerpt, Orf engages the speed and power of the aircraft, a weapon of mass destruction in the 21st century, singing: swing low, sweet chariot coming for to carry me home, evoking the extremist allure of the afterlife. (source:

Search results 2801 until 2810 of 10838

Archive Search