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  • The Meadow -
    THE MEADOW explores and manifests the metaphorical space which lies between the 'simulated' and the 'real' - a space to which artists are inevitably drawn. Ambiguity and irony also share this space, and it is here that new
  • The Library
    Paterson, Nancy. The Library Leonardo 35, no. 2 (2002): 128-9.
  • Cyberfeminism
    Paterson, Nancy. Cyberfeminism Fireweed 54 (Summer 1996).
  • Cyberfeminism
    Paterson, Nancy. Cyberfeminism In Der Sinn der Sinne, edited by Uta Brandes and Bernd BuschSchriftenreihe Forum, Göttingen: Steidl and Kunst- und Ausstellungshalle der BRD GmbH, Bonn, 1998.
  • The Machine in the Garden -
    Not only does god play dice... but he sometimes throws them where they can't be seen - Stephen Hawking THE MACHINE IN THE GARDEN is an interactive videodisc installation dealing with gambling and spirituality, twin distillates of our
  • Memory Dress
    Well, things don't always turn out the way you plan - this project certainly didn't. I learned a couple of things: 1/ Magnetic core memory is very hard to find. 2/ Most people who are interested in magnetic core memory are very
  • Lust and Wanderlust: Sex and Tourism in a Virtual World
    Paterson, Nancy. Lust and Wanderlust: Sex and Tourism in a Virtual World Art and Cyberculture, Media Information Australia 69 (August 1993): 7-12.
  • Ex(or)ciser
    This interactive installation addresses mass media and manipulation in postmodern culture. In this mediawork individualism and narcissism are revealed as inextricably linked to new electronic technologies and capitalist consumerism. The interface
  • Bicycle TV
    BICYCLE TV is a rider controlled real-time video tour of a scenic landscape in the Canadian countryside. This interactive installation consists of a 1950's style bicycle with a colour monitor (mounted in front of the bicycle facing the
  • Curly, Larry and PoMo
    Paterson, Nancy. Curly, Larry and PoMo In Vision Ruhr, edited by Westfalisches Industriemuseum Zeche Zollern II/IV and Dortmund Museum am OstwallOstfildern-Ruit: Hatje Cantz, 2000.
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