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  • Helen Varley Jamieson is a writer, theatre practitioner and digital artist from New Zealand, based in Germany. She holds a Master of Arts (Research) investigating cyberformance - live performance on the internet – which she has practiced since 1999.
  • Sommerer, Christa and Laurent Mignonneau. HAZE Express In Cyber: criação na era digital, edited by R. Trindade, 7. Lisbon, Portugal: Centro Cultural de Belém, 1999.
  • Eduardo Kac is internationally recognized for his telepresence and bio art. A pioneer of telecommunications art in the pre-Web '80s, Eduardo Kac (pronounced "Katz") emerged in the early '90s with his radical works combining telerobotics and living
  • Seiko Mikami passed away of cancer in January 2015. She was an interactive media artist that has been working in the realms of information systems and human sensing. Showing large-scale installations since the 80's she used sound, robotics and
  • Heir of cybernetic art, artist and programmer, Antoine Schmitt uses programming as a material to produce installations, CD-ROMs, online exhibitions, and performances in which he confronts the public or performers with autonomous abstract dynamic
  • Sommerer, Christa and Laurent Mignonneau. HAZE Express In CyberArts 1999: International Compendium - Prix Ars Electronica 1999, edited by Hannes Leopoldseder and Christine Schöpf, 92-93. Vienna, New York: Springer Verlag, 1999.
  • Sommerer, Christa and Laurent Mignonneau. Interactive Plant Growing In Ars Electronica - Facing the Future, , 393-394. Cambridge, MA: The MIT Press, 1999.
  • Beloff, Zoe. La vie revée de la technologie Trafic, revue de cinéma 30 (Summer 1999): 84-91.
  • MACHFELD (Sabine Maier | Michael Mastrototaro) Sabine Maier Sabine Maier ist „Photo & Medienkünstlerin“, die nicht nur mit den Medien arbeitet, sondern an den Medien. Seit 1999 ist sie freischaffende Foto- & Medienkünstlerin, die nicht nur mit,
  • SWAMP (Studies of Work Atmosphere and Mass Production) focuses on critical themes addressing the effects of global corporate operations, mass media and communication, military-industrial complexes, and general meditations on the liminal area between