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  • Re:place 2007
    An interdisciplinary forum of over 70 researchers and artists from all over the world, re:place 2007 presents multiple historical relations between art, science and technology. The title ‘re:place’ refers to the sites and the migration of artistic
  • DesConcerto -
    Dynamic of the System, script, videos ­ Simone Michelin Argument, music - Vania Dantas Leite Real time processing of images ­ Elaine Tomazzi Freitas DesConcerto (disconcert) is a project developed in the intersection of visual arts and music.
  • Cloud Robotics & African Robotics Network Design Challenge
    Lecture
  • (Another) Point of view -
    Two video projections are confronted on the same screen. The first shows the bodies of African dancers in exultant movements, gradually moving into a trance. The other presents the State’s armed forces: the worrying and repressive face of the
  • XXIV Bienal de Sao Paulo, Sao Paulo (South African representative) -
    Event: XXIV Bienal de Sao Paulo, Sao Paulo (South African representative)Institution: São Paulo BiennialComment:
  • El Barrio is home! -
    Event: El Barrio is home!Institution: Caribbean Cultural Center and African Diaspora InstituteComment:
  • Borderroad -
    Print on aluminium composite panel Modern high-tech border walls demonstrate how political solutions are being replaced by technical interventions. A clear illustration is the buttressing of “Fortress Europe” around the Spanish exclaves Ceuta and
  • William Kentridge
    South African draughtsman, film maker and sculptor William Kentridge studied at the Johannesburg Art Foundation and the Ecole Jacques Lecoq in Paris. In 1998, a major retrospective exhibition opened at the Palais des Beaux-Arts, Brussels. A second
  • Caribbean Cultural Center and African Diaspora Institute
  • Lorsque les avatars du virtuel se tournent vers l`Afrique: Introduction aux oeuvres de Stasia McGehee et de Rebecca Allen
    Association Leonardo/ Olats. Lorsque les avatars du virtuel se tournent vers l`Afrique: Introduction aux oeuvres de Stasia McGehee et de Rebecca Allen .
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