Archive Search

  • Diana DominguesThe Archive of Digital Art, 07/2023Text, Editing & Interview by Carla ZamoraShe has an immense and multifaceted body of work, revealing an enormous talentopening to multiple dimensions. (…) And in my opinion, the contents in
  • Lanfranco Aceti works as an academic, artist and curator and is the founder of The Studium: Lanfranco Aceti Inc. He is the founder and Director of OCR (Operational and Curatorial Research in Contemporary Art, Design, Science and Technology) and
  • Flach, Sabine and Sigrid Weigel, ed. Wissenkünste - Das Wissen der Kunst und die Kunst zu wissen / The Knowledge of the Arts and the Art of Knowledge.. ISBN978-3-89739-439-1, Weimar: VDG Verlag und Datenbank für Geisteswissenschaften, 2011.
  • The kaleidoscopic rhythmic structure of a recurring pattern is not a computer-generated picture, but a video recording taken on a digital camera and a kaleidoscopic instrument. The infinite recurrence of one and the same element in micro- and
  • Neuro Mirror - video
    Neuro Mirror Artificial Intelligence Installation ©2017, Laurent Mignonneau and Christa Sommerer Collection of Itau Cultural This interactive installation deals with the image we have of ourselves and of others. In 1999 the Italian
  • Flanagan, Mary. The Bride Stripped Bare to Her Data: Information Flow + Digibodies In The Feminist and Queer Information Studies Reader, edited by Patrick Keilty and Rebecca Dean, 13-47. Sacramento, CA: Litwin Books, 2013.
  • Curated by Allison Collins in collaboration with Carrie Edinger and Srimoyee Mitra. Presented in partnership with the New Media Caucus. Human migration is a defining issue of the 21st century, often calling into question the relevance, role, and
  • Fleischmann, Monika and Wolfgang Strauss. "Medienkunst als Wissenskunst / Medial Arts as Knowledge Arts." In Wissenkünste! Das Wissen der Kunst und die Kunst zu wissen / The Knowledge of the Arts and the Art of Knowledge, edited by Sabine Flach
  • The installation was made specifically for the neo-Gothic Vleeshal in Middelburg and consisted of a computer graphics video projection onto a large screen at the far end of the room opposite the entrance. Infra-red sensors and seven pairs of blue
  • In the virtual-reality "Inherent Rights, Vision Rights" the participant explores a sacred ceremony in a traditional West Coast Native Canadian long house. The long house is occupied by music, fire and spirits, which the participant can interact