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World, Membrane and the Dismembered Body
1997
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1998
In an echoless room a computer and various measuring devices are used to amplify the sound of a body"s internal organs. In the silence, the visitor first hears the sounds inside his or her body, and then the amplified versions from audio speakers. A
Marchive
2014
The authors developed mARChive using the AVIE 360-degree stereoscopic interactive visualization environment. For this project they selected eighty thousand heterogeneous digital records of objects from Museum Victoria collections, out of a total
Dis-M-Body
1995
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1995
Dis-M-Body is a multisensory, interactive installation exploring the disembodied nature of information and messages as they dislocate and fracture one's sense of self, while simultaneously expanding one's sense of connection. Our sense of
Lanfranco Aceti
Lanfranco Aceti works as an academic, artist and curator and is the founder of The Studium: Lanfranco Aceti Inc. He is the founder and Director of OCR (Operational and Curatorial Research in Contemporary Art, Design, Science and Technology) and
Wissenkünste - Das Wissen der Kunst und die Kunst zu wissen / The Knowledge of the Arts and the Art of Knowledge.
2011
Flach, Sabine and Sigrid Weigel, ed. Wissenkünste - Das Wissen der Kunst und die Kunst zu wissen / The Knowledge of the Arts and the Art of Knowledge.. ISBN978-3-89739-439-1, Weimar: VDG Verlag und Datenbank für Geisteswissenschaften, 2011.
Mesmer: Secrets of the Human Frame
1990
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1990
Is a computer-driven slide installation with a soundtrack. The images are projected onto a wall and onto net hung in a ladder . The net creates hologram-like three-dimensional effects. Computerized dissolve equipment produces sequences of images
Border Control: Traversing Horizons in Media Practice
2019
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2019
Curated by Allison Collins in collaboration with Carrie Edinger and Srimoyee Mitra. Presented in partnership with the New Media Caucus. Human migration is a defining issue of the 21st century, often calling into question the relevance, role, and
"Medienkunst als Wissenskunst / Medial Arts as Knowledge Arts."
2011
Fleischmann, Monika and Wolfgang Strauss. "Medienkunst als Wissenskunst / Medial Arts as Knowledge Arts." In Wissenkünste! Das Wissen der Kunst und die Kunst zu wissen / The Knowledge of the Arts and the Art of Knowledge, edited by Sabine Flach
Nano
2003
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2004
Two UCLA professors-media and net artist Victoria Vesna and nanoscience pioneer James Gimzewski-are at the forefront of the intersection of art and science. Their groundbreaking project, 'NANO', now on view at the Los Angeles County Museum
M2
1998
video
Overall, the event is cyclical; however, the groups spend variable amounts of time going through the chambers. The immersion room is the only area of the environment where visitors are allotted a fixed time. Also, each group of spectators contains
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