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  • Sylvia Eckermann
    Sylvia Eckermann In Sylvia Eckermann's work, a discursive engagement with form and media culminates in critical artistic reflections about our entanglement as individuals in current socio-economic situations. Eckermann works with various media
  • Modest_Witness@Second_Millennium: FemaleMan meets OncoMouse: Feminism and Technoscience
    Haraway, Donna J.. Modest_Witness@Second_Millennium: FemaleMan meets OncoMouse: Feminism and Technoscience. New York, London: Routledge, 1996.
  • Photography after the Photography
    Iglhaut, Stefan and Hubertus v. Amelunxen and Florian Rötzer. Photography after the Photography. London: G and B Arts International, 1996.
  • Artificial Reality: Past and Future
    Krueger, Myron. Artificial Reality: Past and Future In Virtual Reality: Theory, Practice, and Promise, edited by Sandra Helsel and Judith Paris Roth, 19-25. London: Meckler Publishing, 1991.
  • Being Digital
    Negroponte, Nicholas. Being Digital. London, UK: Vintage, 1996.
  • Salihbegovic Fahrudin
    Dr Fahrudin Nuno Salihbegovic is a theatre director, visual/sonic artist, interaction designer, and lecturer, specialising in multimedia theatre and interactive digital arts. His work, including theatre productions, digital scenographies, and
  • Max Hattler
    Max Hattler is an artist and academic who works with abstract animation, video installation and audiovisual performance. He holds a master's degree from the Royal College of Art and a Doctorate in Fine Art from the University of East London. His
  • Information Technology Assessment Report
    Ascott, Roy. Information Technology Assessment Report. London: 1998.
  • Cyber Reader: Critical Writings for the Digital Era
    Spiller, Neil, ed. Cyber Reader: Critical Writings for the Digital Era. London, UK: Phaidon Press, 2002.
  • Mary Flanagan
    Known for her theories on playculture, activist design, and critical play, Mary Flanagan has achieved international acclaim for her novel interdisciplinary work, her commitment to both theory and practice, and her ongoing pioneering contributions to
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