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  • Making of Eve Clone MR - video
    ... Eve Clone, and eventually it is integrated again with Vitruvian Man. This process conveys the image of Eve Clone, a product of technology, has the perfect ratio that da Vinci developed for the Vitruvian Man. It also conveys the desire expressed in da Vinci’s...
  • Through the Looking Glass
    ...Brew, Kathy. Through the Looking Glass In Women, Art and Technology, edited by Judy MalloyCambridge, Mass.: MIT Press, 2003.
  • BRAINSONGS - WELCOME TO MY BRAIN -
    ... with computergenerated 3-D animations, is presently working in Stockholm with the VR-Cube of the Royal Institute of Technology. In 1998, the VR-cube was inaugurated with her VR-piece THE PARALLEL DIMENSION. Invited by InterCommunication Center...
  • Lila Chitayat
    ... temporary Forest Installation 2016, Architecture & Animation at Vitrina gallery HIT 2014, Curation and Design of Art & Technology Exhibition, St.Petersburg 2016, Curation and Design of Art/ Technology/Science exhibition, Kiev 2013 and curating ...
  • Peter Weibel
    ... made public by the Austrian television (ORF)in 1972, exceeds the limits of the gallery space and examines the video technology in their application in the mass medium of television. As a theorist and curator, he is committed to art history, taking...
  • Brain Cloud, “L’Esprit des Lumières”
    ...Event: Brain Cloud, “L’Esprit des Lumières”Institution: Hong Kong Applied Science and Technology Research Institute (ASTRI)Comment:
  • Digital Creation and Post Conflict -
    ... revolves around the theme "Digital creation and post-conflict" which proposes to reflect on the role of art, design and technology companies today must find ways to overcome periods of turmoil, inequality, injustice and violence. To do this, bring the...
  • Evidence... Works by Paul Vanouse -
    ...Event: Evidence... Works by Paul VanouseInstitution: Beall Center for Art and Technology University of California IrvineComment:
  • Cube
    ... see a rotating computer-generated wire frame cube positioned in the real space of the museum. Further developement of this technology allowed stereo- images to be virtually projected in this way.
  • Photography at the Interface
    ...Ascott, Roy. Photography at the Interface In Electronic Culture. Technology and Visual Representation, edited by Timothy Druckrey, 165-172. New York: Aperture, 1996.
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