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  • Sydney Festival -
    ...Event: Sydney FestivalInstitution: Powerhouse MuseumComment:
  • ...Event: Sommerer, Christa, Lecture at Interaction: Systems, Practice and Theory Symposium, University of Technology, Sydney and Powerhouse Museum, Sydney (Australia), Nov 2004Institution: University of Technology Sydney (UTS)Comment:
  • ... human actors by algorithms in finance. Referencing the fiber optic networks encroaching below ground level that connect the powerhouses of finance via inconspicuous Carrier Hotels, Crystal Math addresses the issue that human beings have become the resource...
  • ... Telematic reality in OUROBOROS is related to Brazilian rituals and the desire to incorporate animals receiving their powers. When connected, we reach another level of being: that of the reptile, live among snakes, what means to stimulate life in some...
  • ... Neural Networks as an artificial braim, receive and process the biological signals giving back metamorphoses as managing powers of the beyond. NN deals in a non-linear way offering multiples associations or "virtual hallucinations" in real time. (D....
  • .. In the context of the 1960’s paradigm of installation he started with expanded cinema, performance and participatory environments..
  • ... through the immersions into the enviroment simulating the human body´s inner space, as dreamlike spaces that go back to powers to act in living organism. (D. Domingues)
  • ... n o w h e r e. The sparkle around Wenzel Hablik's crystal is the transition to his Schöpferische Kräfte [Creative Powers] - a series of etchings [1912] that tell of the becoming and being of crystal, of birth, becoming and death. The cosmonaut - the...
  • arctic conquistadors -
    ... The artist reflects on how the current situation is effected by the overlapping interests of geopolitical and corporate powers, referring to the 'global conquests'. Kisseleva's work answers the question who is the Arctic today? First, logos of the...