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World
Sta
ge: United
Sta
tes
2020
World
Sta
ge uses digital representations of global species of butterflies to animate the powerful iconography of worldwide flags. In a time when national, political and social identity has been brought to the forefront of our minds, we are ever more
ATTRACTIONS – SIMILARITIES
2005
four kinetic objects with magnet
s a
nd metal particles dim: diameter 12 cm Kinetic objects take part in the multimedia project Attractions – Similarities that focuses on magnetism a
s a
physical phenomenon, by vi
sua
lizing it in various ways, using
REFLECTION
2002
Bend plexiglass, reflected light Dim: 100 x 200 x 60-80 cm 'An object by Ursula: a monochromatic
sha
dowy image drawn on a white screen, on the floor or on the wall, by reflected light shining though deformed and corrugated plexiglass. This
sha
dowy
Homunculu
s A
gora
2013
-
2014
homunculu
s a
gora (h.a) i
s a
large-
sca
le architectonic in
sta
llation of several dozen sculptural bodies (homunculi) that are organized in a fluid-like cluster, appearing at the Markham Museum in the Land|Slide Possible Futures exhibit from September
Ectoplasmic Kitchen v01
1987
Archival Digital Print, Sizes: 8”x10” and 13”x19” Epson Pigment inks on cotton rag substrate or Light Jet digital photo prints. (plus custom sizes or NFT by special order) Date created: 1987 Ectoplasmic Kitchen v1 from 1987 wa
s A
cevedo’s first
Listening to tree
s a
cross the jordan river
2019
-
2020
The exhibition at the Negev Museum of Art is part of an international project, which originated in 2012 under the title of EDEN (Ethics, Durability, Ecology, Nature). The project is based on the idea of continuing the restoration of the enchanted
Electronic Cafe Network
1984
-
1988
In 1983 artists Kit Galloway and Sherrie Rabinowitz began refining a concept for a telecollaborative network connecting informal public multimedia communications venues. The original Electronic Cafe Network was to be the artists offering a
s a
Mirrors of the Unseen (Tableaus)
2010
-
2011
Printing on aluminium 100 x 200cm UV print; coated aluminum, colored epoxy resin Image
s a
re hypothese
s a
bout the visible. Only the viewer
s a
bility to connect what they see with their own knowledge and sentience make
s a
picture readable. The aluminum
Zoe Beloff
Beloff i
s a
filmmaker who doesn´t just make films. Taken a
s a
whole, Beloff´s recent work constitute
s a
sort of social archeology of cinema. She is particularly interested in excavating the social roots of cinema in the 19th century and reminding us
Daniel Rozin
Daniel Rozin trained a
s a
n industrial and interactive designer. He creates interactive in
sta
llation
s a
nd sculptures that have the ability to change and respond to the presence of a viewer. Although computer
s a
re often used, they are seldom visible.
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