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Was Computer nicht können. Die Grenzen künstlicher Intelligenz
1989
Dreyfus, Hubert L.. Was Computer nicht können. Die Grenzen künstlicher Intelligenz. Frankfurt/ Main: Athenäum, 1989.
T-wo.gen
2004
... as the
max
imum dimension after which the...
Pleasure Machine
1999
-
1999
video
The performance occurs inside a capsule. We may control the avatar of the performer through a remote computer. The distance between the audience and the performer is set to 7 metres. We may type words, wishes or commands from our keyboard directly
Suzanne Anker
... School of Economics, the
Max
-Planck Institute, Universitiy... of Leiden, the
Hamburg
er Bahnhof Museum in...
Journey to the Moon
2007
-
2007
... Nationalgalerie am
Hamburg
er Bahnhof)
LEDA MELANITIS
2014
-
2020
video
... the famous paradox of
Max
well’s demon. But the crucial...
Random Rhetoric/Ars Electronica
2020
-
2020
video
GARDEN CONCEPT In the context of the Regional STARTS Centers in Greece, the non-profit platform for social innovation projects MADE GROUP, with the support of the Athens Tech College and the Cultural Association of Archilochus of Paros, sets the
Fields of Origin
2015
Fields of Origin NEXT NATURE / juried poster exhibition, I -NODE of Planetary Collegium 2015 By Lila Moore Novel forms and ideas arise unexpectedly from unknown or previously unsuspected origin. Being new and full of mysterious possibilities, they
Cultural Heritage and New Medias
1999
Fischnaller, Franz. Cultural Heritage and New Medias In Pendulum Symposium: Mediterranean and Balkan Art and Technology, , 47-48. Athens, Greece: 1999.
Dejan Atanackovic
Dejan Atanacković has presented solo exhibitions, video and audio installations, interventions in public space, as well as curatorial projects, since 1994. His works were exhibited in personal and collective shows in Italy, Serbia, Canada, USA,
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