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Room of One`s Own
1990
-
1993
...ROOM OF ONE'S OWN (1993)
for
ces the viewers eyes to become immersed into the actual space of a tiny articulated interactive electronic peep...
Laura Skocek
... in a sustainable way. In 2018, the interactive sound object
For
ced Leisure was presented at the Intersections symposium of the...
RED DROP
2002
... the screen, the polygon is attracted to the mouse pointer and
for
ms a flexible circular drop that can be dragged around the screen....
Trans-E: My Body, My Blood
1997
video
... It's fascinating to be able to capture invisible
for
ces and control physical phenomena when we define the "life" of the...
Lightpools
1998
... Several users can share a single fanalet, passing it back and
for
th as they wish. The atmosphere is one of a casual but concentrated...
Cacophony (Scene 2)
2003
... and sounds from different contexts in terms of time and space.
For
mally it is like a mixture of radio and TV. Parts of the sound...
Magnet
1997
-
1997
... using intense magnetic fields. This work imagines that other
for
ces, such as fear or desire, might also achieve this end. The...
Suspension
1997
... online and offline protocols. These protocols include computer
for
mats and settings, social codes and customs, and structures of...
Robotica - IV: Control Inside The Panopt
icon
2006
-
2008
...A world premier of Stanza’s “Robotica: Control inside the panopt
icon
” at The Victoria And Albert Museum, London. A playful robot installation -... by the traces and paths left behind. The patterns we make, the
for
ces we weave, reveal different ways of moving through the space....
leak to lower lazy levitating load, 2008
2008
-
2008
... the idea of small things working to eventually act upon
for
ces larger than they are.
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