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  • Under the motto "Document", the 18th EMAF highlighted various media artistic approaches to documentary forms. Playing with media structures, analysing the power of the media, reflecting one’s own media production and examining the conditions of
  • To mark its 20th anniversary, the congress part of EMAF called "D-Fluxx" presented not only a kind of inventory entitled "Media Art History", but also a definition of the current position of Media Art. The film programme focused on the Cuban
  • In 2008, the 21st EMAF explored personal identity in a globalised world. How will the advance of digital technologies change all areas of private and public life? Identity is always a contemporary issue, concerning all areas of society. In
  • In 2009, the EMAF portrayed over 2000 years of media history with its large exhibition entitled “Image Battles” in cooperation with the Museum of Industrial Culture Osnabrück, Kunsthalle Dominikanerkirche and Erich Maria Remarque Peace Centre. In a
  • The range of images, films, music and texts on the internet is growing rapidly. All digitally available elements can be used as material to make new collages. For this reason, many artists scour the internet’s servers for raw material to integrate
  • ...We had reason to celebrate: the European Media Art Festival was held this year for the 25th time, and has therefore been presenting the current...
  • We come across irony all the time in everyday communication: in photos, caricatures, texts and conversations. Witty, critical or ironic comments are transformed into questioning works and words using the devices of under- and over-exaggeration,
  • ...Schnell, Ruth and Martin Kusch. E/M/D/L - European Mobile Dome Lab for Artistic Research (2013-15) In Contemporary Code - Artistic Research, ...
  • ... Mike Phillips and Marie-Claude Poulin and Ruth Schnell. EMDL European Mobile Dome Lab for Artistic Research In ISEA2015 - 21st...
  • Inertia
    ... de Montbéliard dans le cadre d’une résidence [ars]numerica, Centre Européen dédié aux arts numérique. Special thanks to: Yasmina Demoly, Jean...