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Art and Science as Creative Catalysts
2015
Gates-Stuart E; Lovell D; L. Nyugen C; Adcock M; Bradley J; Morell M;. Art and Science as Creative Catalysts (Special Section of Leonardo Transactions “Highlights from the IEEE VIS 2013 Arts Program (VISAP’13), edited by Angus Forbes.”.
Telematic Manifesto
1999
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2001
Net-Project The "Telematic Manifesto" is a participatory, collectively-generated Net Document that articulates a vision for the future of Telematic Art as a socio-cultural force in the 21st century. This project investigates Telematic Art as the
REFLECTIVE TRANSITORINESS
2006
Kinetic light installation reflective foil, artificial resin, rotating motor, lights, plexiglass, light reflections variable dimensions A transparent picture is suspended on a rotating engine installed on the ceiling and is illuminated by two
VR Tour Through the Doomsday Clock
2018
The piece, being a part of the show “It’s Two Minutes to Midnight,” provides viewers with an educational journey on humankind’s history of de- and re-nuclearization. The show, organized by Weinberg/Newton Gallery in collaboration with the Bulletin
Have a Nice Day
2002
The scenery referring to Martyl Langsdorf’s painting "Doomsday Clock Have a nice day" is contrasted with Martyl’s Doomsday Clock which she originally designed for the cover of the Bulletin of the Atomic Scientists magazine in 1947. The “Bulletin”,
transmediale.09: deep north
2009
Looking beyond the alarmist scenarios of environmental, social and economic catastrophes to be expected in the wake of global warming, the essential question isn't that of how to avoid these processes, but to examine the need for a fundamental shift
Paradise Tossed
1992
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1993
"Paradise Tossed" by Jill Scott gives the opportunity - from the point of view of a woman - to explore four different apartments and their technical equipment in different time periods. "Paradise Lost" or "Tossed"? "Paradise Tossed" is a
The Waiting Room
1998
Interactive digital video projection environment 12 x 12 x 6 metres 2 large scale video projections, colour, multi-channel interactive sound In collaboration with Sue Hawksley (Choreography) and Stuart Jones (sound) Produced by Victoria
Watch out! The Eyes of the City
2004
Event: Watch out! The Eyes of the CityInstitution: Athens 2004, Olympic Games “Catch the Light” ProgramComment:
NET(WORK)
2016
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2016
The projetct is dedicated to the phenomenon of nets. As we know, nets are some of the primary means for catching aquatic bioresources. The net thrives as a universal symbol with many possible applications and analogies. The word “net” – set’ – can
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