Archive Search

  • Burns, David R.. Dematerialization, Media, and Memory in the Digital Age In Proceedings of ISEA 2011, the 17th International Symposium on Electronic Art, Istanbul, Turkey: 2011.
  • Menagerie
    The goal of this effort is to demonstrate one of the first fully immersive Virtual Environment installations that is inhabited by virtual characters and presences specially designed to respond to and interact with its users. This experience allows a
  • Diptych: laser-cut and digital print on plexiglass dim: 200 x 135 cm The hanging objects present microscopic image of a carbon substance (up) and its digital mapping (transcription) into a reciprocal space (down) by the use of digital fast Fourier
  • Breathless
    Installation consists of three light objects. Two of them are connected to the RSS [web] feed via computers, and the third, with the aid of the anemomenter provides wind, temperature, noise of street (environment). Computer searches for all words,
  • Landing fields
  • Faina Balakhovskaya and Antonio Geusa and Luk Lambrecht. Александра Дементьева. Работы 2000 - 2007. / Alexandra Dementieva. Works 2000 - 2007. Catalogue. Moscow, Russia: XL gallery, 2008.
  • NATASHA KURCHANOVA. Alexandra Dementieva: ‘All art is an interactive game. I am offering the viewer an opportunity to take an active part in the work’
  • Curators: Olga Shishko and Elena Rumyantseva Participating artists: Tanya Akhmetgalieva (Russia) The Blue Soup (Russia) Alexandra Dementieva (Russia/Belgium) George Drivas (Greece) Omer Fast (Israel) William Hooker and Phill Niblock (USA) JODI
  • The Messive -
    Tapestry weaving on a base of binary code, gives an essential knowledge about our solar system, DNA, first 7 days of creation of Bible as a message for our descendants.
  • Re-Lighting -
    About 300 km above the Earth (the orbital altitude of the International Space Station), the planet's surface occupies an important place. During the day you can see the continents, at night - the lights of the cities. From further distance, the