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Shock Absorber
2001
-
2001
... is taken from broadcast television and separated it into two p
art
s in real time. One p
art
contains all the movements, edits and high...
Homographies
2006
-
2006
... space. Originally developed for the Entrance Court of the
Art
Gallery of New South Wales (AGNSW) and exhibited at the Sydney...
Less Than Three
2008
-
2008
... light strips that form a network between two intercoms. As a p
art
icipant speaks into an intercom, his or her voice is translated into...
Machine for Taking Time
2001
-
2001
This installation is asite-specific work in progress. A colour surveillance camera has been mounted outside the gallery on a computer controlled pan/tilt mechanism, allowing it to see most of the surrounding gardens. Every day since March 28, 2001,
inter / face
2002
-
2002
In "inter / face" Rokeby continues his exploration of the relationship between the abstract world of language and the physical world of body. The work uses the expressions on the viewer's face as an interface to a responsive virtual world built
Taken
2002
-
2002
... of a very different kind of public space (The interior of an
art
gallery, rather that Piazza San Marco as in "Seen"). (source:...
Microphone
2008
-
2008
... that the resulting echo is actually recordings from previous p
art
icipants they st
art
giving longer speeches, they sing, or the play...
Pulse Front
2007
-
2007
... controlled by a network of sensors that measured the he
art
rate of passers-by. Ten metal sculptures detected the pulse of...
Pulse Room
2006
-
2006
video
... placed on a side of the room has a sensor that detects the he
art
rate of p
art
icipants. When someone holds the interface, a computer...
Cheap Imitation
2002
-
2002
... was of course an inveterate re-user of existing works of
art
. In "Cheap Imitation", Rokeby has cut up Duchamp's "Nude...
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