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  • Leopoldseder, Hannes and Christine Schöpf, ed. Prix Ars Electronica 1992. Linz: Veritas-Verlag, 1992.
  • Arnheim, Rudolf. Kunst und Sehen: Eine Psychologie des schöpferischen Auges. : De Gruyter, 1978.
  • Artist film-maker whose current work centres on watery places such as rivers, estuaries and coastal zones. She uses a process-based dialogic methodology informed by écriture féminine to explore the interrelationship between bodies and forgotten,
  • Daniel Rozin trained as an industrial and interactive designer. He creates interactive installations and sculptures that have the ability to change and respond to the presence of a viewer. Although computers are often used, they are seldom visible.
  • Lozano-Hemmer, Rafael. Displaced Emperors, Relational Architecture 2 In Ars Electronica 1997: Fleshfactor / Informationsmaschine Mensch, edited by Gerfried Stocker and Christine SchöpfLinz: 1997.
  • Hauser, Jens. Bio Art - Taxonomy of an Etymological Monster / Bio Kunst - Taxonomie eines Wortmonsters In Hybrid - Living in Paradox, edited by Gerfried Stocker and Christine SchöpfLinz: 2005.
  • Ranzenbacher, Heimo. Strategies of Intertainment In Ars Electronica 2001: TAKEOVER - Who´s Doing the Art of Tomorrow? / Wer macht die Kunst von morgen?, edited by Gerfried Stocker and Christine SchöpfNew York, Wien: Springer Verlag, 2001.
  • Lin Pey-Chwen was born in Ping-tong County, Taiwan in 1959. She received a Doctor of Creative Arts from the University of Wollongong, Australia in 1996. She was chairwoman of the Graduate School of Multimedia and Animation Arts, National Taiwan
  • Malina, Roger F.. Leonardo Timeshift In Ars Electronica 2004: Timeshift: Die Welt in 25 Jahren/ Timeshift: The World in 25 Years, edited by Gerfried Stocker and Christine SchöpfOstfildern-Ruit: Hatje Cantz, 2004.
  • Dyens, Ollivier. Die hybridisierte Realität In Hybrid - Living in the Paradox, edited by Gerfried Stocker and Christine SchöpfOstfildern-Ruit: Hatje Cantz, 2005.