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  • ... the inside of pregnant women’s body, the womb on the screen the artist defines a cyberspace as exclusively maternal. The space “behind”...
  • ... installations. Computer, specific algorithm Courtesy: the artist This series of visual installations revolves around the... still living (a, b, e, f, g, h, i, j), 2006 Series of infinite visual installations. Computer, specific algorithm Courtesy: the artist ...
  • UNPREPARED PIANO -
    ... idea of, 'Prepared Pianos' developed for the most part by the artist John Cage, and although software is used in this case to alter...
  • The Berlin Files -
    ... Files", it is initially the simulated presence of the two artists in their studio that seems to dominate as the primary level of...
  • Light from Tomorrow -
    ... Light from Tomorrow is an artwork by British artists Thomson & Craighead. It centres on an expedition to The Kingdom of Tonga, where...
  • Weather Gauge -
    In Weather Gauge, numerical weather data from over 150 countries is simultaneously represented in a gallery forming an array of hypnotic animated data referencing a huge global spread of live information. Each piece of weather data rotates between
  • Telephony -
    Telephony allows gallery visitors to dial into a wall based grid of 42 Siemens mobile telephones, which in turn begin to call each other and create a piece of 'music.' Each phone has been individually programmed with a different ringtone, which
  • Intuitive movements in front of a mirror are banal. Replacing the mirror by a screen showing a similar mirrored image, but filmed and augmented with "transfiction/alized” elements, results in visual interaction, in body movements, which can trigger
  • Hello, world! -
    “Hello, world!” analyses the ephemerality or longevity of storage media and uses acustic signals for data storage. In a closed system, which is made up of a computer, a loudspeaker, 246 metres of copper pipe and a microphon, circulates a codified,
  • Water Bowls -
    ... scientific observations as the source... (source: vv.arts.ucla.edu)