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A arte de comunicacão telemática: a interatividade no ciberespaco
2003
Zanini, Walter. A arte de comunicacão telemática: a interatividade no ciberespaco ARS (Departamento de Artes Plasticos) 1, no. 1 (2003).
Plusvalía y Género Artístico
1996
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1996
Event: Plusvalía y Género ArtísticoInstitution: Departamento de Historia del Arte de la Universidad de ValenciaComment:
Musée départemental de Préhistoire d'Ile-de-France - Nemours (France) / "Scenocosme : Alchimie des sens"
2008
Event: Musée départemental de Préhistoire d'Ile-de-France - Nemours (France) / "Scenocosme : Alchimie des sens"Institution: Ars Electronica Linz GmbH & Co KGComment:
Musée départemental de Préhistoire d'Ile-de-France - Nemours (France) / "Scenocosme : Alchimie des sens"
2008
Event: Musée départemental de Préhistoire d'Ile-de-France - Nemours (France) / "Scenocosme : Alchimie des sens"Institution: Ars Electronica Linz GmbH & Co KGComment:
The Connection Machines CM-1 and CM-2
1986
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1987
The Connection Machine was the first commercial computer designed expressly to work on simulating intelligence and life. A massively parallel supercomputer with 65,536 processors, it was the brainchild of Danny Hillis, conceived while he was a
Nano
2003
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2004
Two UCLA professors-media and net artist Victoria Vesna and nanoscience pioneer James Gimzewski-are at the forefront of the intersection of art and science. Their groundbreaking project, 'NANO', now on view at the Los Angeles County Museum
Surface Tension
1992
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1993
Surface Tension is an interactive installation where an image of a giant human eye follows the observer with orwellian precision. This work was inspired by a reading of Georges Bataille’s text The Solar Anus during the first Gulf War –the first
mission impossible 1862
2010
An interactive 4 channel video installation for actors and the audience describes the life of the Missionar Jakob Friedrich Ziegler, who moved in the mid-19th Century from Dagersheim near Stuttgart to Dharwar in Karnataka, India. Chris Ziegler:
Biopsia
2008
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2008
video
This piece is a kinetic sculpture consisting in a disc where a drop of colored water falls from the ceiling at regular intervals. An animation of a clockwork mechanism, revolving around the color stains, is projected onto the disc. It was part of
How to Make a Shakespeare Machine
2012
Shakespeare Machine is a permanent artwork in the lobby of the Public Theater in New York City. It was commissioned by the Department of Cultural Affairs’ Percent-for-Art program and the Public Theater. It was opened to the public in October, 2012.
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