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Shock Absorber
2001
-
2001
... is taken from broadcast television and separated it into two p
art
s in real time. One p
art
contains all the movements, edits and high...
Machine for Taking Time
2001
-
2001
This installation is asite-specific work in progress. A colour surveillance camera has been mounted outside the gallery on a computer controlled pan/tilt mechanism, allowing it to see most of the surrounding gardens. Every day since March 28, 2001,
Objects of desire
2005
-
2008
... with each new beginning a new number and thus, a new piece of
art
, that is concluded by the words you own me now until you forget...
On translation
2008
-
2010
... randomness. Randomness, the free will and interpretation are p
art
of the process of translation and by this directly coupled to the...
All you can see
2008
-
2008
... own sake. Theories that have been known for a long time from
art
history about the end of painting find their way into digital...
Torso
1985
A work using simulated recombinant genetic algorithms. The piece used two live computed image sources for two of the monitors, one prerecorded computer animated sequence and two live video feeds from surveilance camera's installed in the space. A
inter / face
2002
-
2002
In "inter / face" Rokeby continues his exploration of the relationship between the abstract world of language and the physical world of body. The work uses the expressions on the viewer's face as an interface to a responsive virtual world built
Taken
2002
-
2002
... of a very different kind of public space (The interior of an
art
gallery, rather that Piazza San Marco as in "Seen"). (source:...
Sorting Daemon
2003
-
2003
Like many of Rokeby's other works, "Sorting Daemon" surveys its environment and uses the resulting images as the primary content of the work. In this specific case, the system looks out onto the street, panning, tilting and zooming, looking for
Pulsate (An Ear on the Wall)
2007
-
2007
Pulsate (Ear on the Wall)(2007) Sachiko Kodama Collaborator: Minako Takeno In a white room a table, chair and an ear hang on the walls. The lighting of the room wraps down from the ceiling and onto the vertical wall. These off-centered
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