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  • Shock Absorber -
    ... is taken from broadcast television and separated it into two parts in real time. One part contains all the movements, edits and high...
  • This installation is asite-specific work in progress. A colour surveillance camera has been mounted outside the gallery on a computer controlled pan/tilt mechanism, allowing it to see most of the surrounding gardens. Every day since March 28, 2001,
  • Objects of desire -
    ... with each new beginning a new number and thus, a new piece of art, that is concluded by the words you own me now until you forget...
  • On translation -
    ... randomness. Randomness, the free will and interpretation are part of the process of translation and by this directly coupled to the...
  • All you can see -
    ... own sake. Theories that have been known for a long time from art history about the end of painting find their way into digital...
  • Torso
    A work using simulated recombinant genetic algorithms. The piece used two live computed image sources for two of the monitors, one prerecorded computer animated sequence and two live video feeds from surveilance camera's installed in the space. A
  • inter / face -
    In "inter / face" Rokeby continues his exploration of the relationship between the abstract world of language and the physical world of body. The work uses the expressions on the viewer's face as an interface to a responsive virtual world built
  • Taken -
    ... of a very different kind of public space (The interior of an art gallery, rather that Piazza San Marco as in "Seen"). (source:...
  • Sorting Daemon -
    Like many of Rokeby's other works, "Sorting Daemon" surveys its environment and uses the resulting images as the primary content of the work. In this specific case, the system looks out onto the street, panning, tilting and zooming, looking for
  • Pulsate (Ear on the Wall)(2007) Sachiko Kodama Collaborator: Minako Takeno In a white room a table, chair and an ear hang on the walls. The lighting of the room wraps down from the ceiling and onto the vertical wall. These off-centered