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  • Future Past: Zoe Beloff´s Beyond
    Shaviro, Steve. Future Past: Zoe Beloff´s Beyond Artbyte Magazine 1, no. 3 (1998).
  • Resurrecting the Technological Past: An Introduction to the Archeology of Media Art
    Huhtamo, Erkki. Resurrecting the Technological Past: An Introduction to the Archeology of Media Art In Art and Electronic Media, edited by Edward A. Shanken, 199-201. London: Phaidon, 2009.
  • Winner of The Prix Net Art, 2014: JODI
    Michael Connor, Samantha Culp, Zhang Ga, and Sabine Himmelsbach. Winner of The Prix Net Art, 2014: JODI https://prix-netart.org/past-winners/ [PRIX NET ART, October 2014].
  • Past-Potential-Futures: Early Experiments in Computer Animation
    Event: Past-Potential-Futures: Early Experiments in Computer AnimationInstitution: Tate ModernComment:
  • Philip Beesley
    Philip Beesley is a professor in the School of Architecture at the University of Waterloo. A practitioner of architecture and digital media art, he was educated in visual art at Queen’s University, in technology at Humber College, and in
  • Susan Collins
    Susan Collins (b. 1964 London) is one of the UK's leading artists working with digital media. For the past decade the collision between the real and the artificial or virtual has been a key area of investigation. Collins works across public, gallery
  • Gina Czarnecki
    During the past seventeen years Czarnecki's work has centred on ways of exploring and expressing ideas generally based around the human, the physical, biological and psychological. More recently her work has been concerned with investigating the
  • Profilneurose -
    'A profile like a witch' – I often thought when looking in the mirror, or when my shadow flits past me. Cosmetic surgery promises a remedy. But does that make us happier, better, more beautiful, more lovable? First the nose, then the chin, a bit
  • Structuralist Content Design in the Multi-Touch Museum Environment
    Vancat, Jaroslav and Daniel Riha. Structuralist Content Design in the Multi-Touch Museum Environment In: Airing the Past: Inquiries into Digital Memories , no. 85-91 (2016).
  • Julie Freeman
    Julie Freeman works with natural systems and emergent technologies. Her large scale installations and online artworks have, since the early 1990s, pioneered her conceptual and critical approach to working with real-time data as a living and
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