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Rajah, Niranjan. The Representation Of A New Cosmology: Immersive Virtual Reality and the Integration of Epistemologies In Invencao: thinking the Next Millenium, Sao Paolo, Brazil: ITAU Cultural, CAiiA, 1999.

Hauser, Jens. Bio Art - Taxonomy of an Etymological Monster / Bio Kunst - Taxonomie eines Wortmonsters In Hybrid - Living in Paradox, edited by Gerfried Stocker and Christine SchöpfLinz: 2005.

Whitelaw, Mitchell. System Stories and Model Worlds: A Critical Approach to Generative Art In Readme 100: Temporary Software Art Factory, edited by Olga Goriunova, 135-154. Norderstedt: BoD, 2005.

Dal Farra, Ricardo. Investigación-Creación: Arte y Ciencia, Política y Economía (chapter).. Uruguay: Observatorio Iberoamericano de Artes Digitales y Electrónicas - Universidad de la República, 2019.

Ishii, Hiroshi and Tangible Media Group. Get in Touch. Tangible Bits: Bridging Digital and Physical In Who´s doing the art of tomorrow? / Wer macht die Kunst von morgen?, edited by Gerfried Stocker and Christine SChöpfNew York, Wien: Springer,

Tavares, Monica. Os ambientes interativos como mediadores na construção de duplos digitais. Anais do 15 Econtro Internacional de Arte e Tecnología Brasilia, Brasil: Universidade de Brasilia , no. ISSN 2238-0272 (February 2016): 405-406.

Maharaj, Sarat. Avidya: Non-Knowledge Production in the scene of Visual arts Practice In Education, Information, Entertainment - Current Approaches to Higher Artistic Education, edited by Ute Meta BauerVienna: Selene Verlag, 2001.

Fleischmann, Monika and Christian Bohn and Wolfgang Strauss. Visiones liquidas, el espejo virtual de Narciso In Contaminaciones: del videoarte al multimedia, edited by Jorge La FerlaBuenos Aires: Libros del Rojas, 1997.

Strauss, Wolfgang. Tanz im Haus der Illusion 3 (1995).

Benayoun, Maurice. Notes sur l´oeuvre interactive (1997).