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Nils Jean. ‘Digital Debris in Internet Art : A Metaphorical Resistance to The Epistemology of Search’ Prova 2, Royal College of Art Humanities Research Forum Journal , no. 2 (2014): 22-25.

Cubitt, Sean and Gunalan Nadarajan and José‐Carlos Mariátegui. Social Formations of Global Media Art Third Text: Special issue MEDIA ARTS: Practice, Institutions and Histories 23, no. 3 (May 2009): 217-228.

Cubitt, Sean and Gundalan Nadarajan and José-Carlos Mariátegui. Social Formations of Global Media Art Third text: Special Issue MEDIA ARTS: Practice, Institutions and Histories 23, no. 3 (May 2009): 217-228.

Bryson, Norman and Keith Moxey and Michael A. Holly. Visual Culture: Images and Interpretations. Middletown, CT, USA: Wesleyan University Press, 1994.

DOMINGUES, DIANA MARIA G and Eliseo REATEGUI. Living Tattoos Social Platform CHI 2008 Art, science, balance. Urban Mixed Realities (2008).

Nake, Frieder. The Display as a Looking-Glass: Zu Ivan E. Sutherlands früher Vision der grafischen Datenverarbeitung In Visionen, Pardigmen und Leitmotive in der Geschichte der Informatik, edited by Hans Dieter HelligeBerlin, Heidelberg, New York:

Salter, Chris. The Question of Thresholds: Immersion, Absorption and Dissolution in the Environments of Audio-Vision In See This Sound - Audiovisuologies 2, edited by Lentos Museum and Ars Electronica and Ludwig Boltzman InstitutKöln, DE:

Bonnemaison, Sarah and Christine Macy and Rob Gorbet and Philip Beesley, ed. RESPONSIVE TEXTILE ENVIRONMENTS. Halifax: Riverside Architectural Press and TUNS Press, 2007.

Lasserre, Grégory and Anaïs met den Ancxt. SphèrAléas. Tridimensional interactive/sound/image installation In MULTIMEDIA '07: Proceedings of the 15th International Conference on Multimedia, edited by Rainer Lienhart and Anand Prasad, 363-364. New

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