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  • Premiers pas dans la transparence
    Deleage, Jean-Rémi. Premiers pas dans la transparence Sciences et Avenir 591 (May 1996): 82.
  • Visualization in the Life Sciences
    Cox, Donna. Visualization in the Life Sciences In Aesthetic Computing, edited by Paul FishwickThe Leonardo Book Series, , 89-14. Cambridge, MASS: MIT Press, 2006.
  • Romy Achituv
    Romy Achituv is an experimental interdisciplinary artist whose work engages issues of representation, language, time, and memory. Underlying his practice is an ongoing interest in the language of visual representation and in dynamics of
  • Diaa Ahmedien
    Diaa Ahmed Mohamed Ahmedien is a lecturer in sciences of visual arts and sciences of New-Media Arts. He is an artist, educator, researcher, and creator to setup systems of artworks, basically depending on the intersection between art, sciences, and
  • Leonardo
    Takita, Jun. Leonardo Journal of the international society for the arts, sciences and technology 37, no. 4 (2004).
  • Hylozoic Soil
    Beesley, Philip. Hylozoic Soil Leonardo: Journal of the International Society for the Arts, Sciences and Technology 42, no. 4 (2009).
  • The Machines Above Us: An Overview of the ‘Celestial Mechanics New Media Artwork
    Hessels, Scott. The Machines Above Us: An Overview of the ‘Celestial Mechanics New Media Artwork proceedings of Mutamorphosis: Challenging Arts and Sciences (2007): 38-39.
  • Roz Dimon
    Roz Dimon has been a leader in digital media painting ever since her oil paintings began to fill with pixels in the 1980s upon arrival in New York City. She's been featured in Forbes Magazine with David Hockney and as eight digital works in the
  • Esteban Garcia Bravo
    Inspired both by constructivist avant-gardes and cognitive psychology, Garcia uses shape to test the senses and push the boundaries of visual assumptions. His work looks past the idea of shape as a function and instead explores its endless
  • “Metamorphoses…”, in "Hybrid Space"
    Ippolitov Arcady. “Metamorphoses…”, in "Hybrid Space". St Petersburg, Russia: The Petersburg foundation for culture and the arts “PRO ARTE Institute”, State Russian Museum of Arctic and Antarctic, Russian Academy of Sciences, 2002.
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