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Marc Lee
Marc Lee is a Swiss artist. He uses contemporary art as a vehicle to continuously redefine how we see ourselves and the world around us. He is experimenting with information and communication technologies and within his contemporary art practice, he
Catherine Mason
My particular expertise in the history of computer and digital art began in 2002 when I joined an AHRC-funded research group at Birkbeck College, University of London – The CACHe Project (Computer Arts, Contexts, Histories, etc), which investigated
Ralph Schreiber
contact --- Ralf Schreiber Iltisstr. 73 50825 Köln / GERMANY -- +49(0)221 5397489 +49(0)151 14316644 -- www.ralfschreiber.com -- mail[aaaaaaat]ralfschreiber[dooooooot]com
Wo realer und virtueller Raum verschmelzen
2016
Schreiber, Susanne. Wo realer und virtueller Raum verschmelzen Handelsblatt (September 2016).
Jordan Crandall
Lives and works in New York Videoinstallations, Media-Art, Writings, Mediatheory Themen: Medien und Kommunikationstechnologie, strategisches Sehen, simultanes Sehen und Gesehenwerden, Kybernetik, digitale Interaktionen; schreibt für Artforum,
European Media Art Festival 1995: Art and Body
1995
"Art and Body" was the general topic of EMAF 1995. Many artists had chosen the human body to be the focal point of their projects, and they also brought up the question of the influence the expansion of interactive media has on the individual. The
What´s the Matter with the Institutions of Art? / Was ist mit den Institutionen der Kunst los?
2001
Hirsch, Andreas. What´s the Matter with the Institutions of Art? / Was ist mit den Institutionen der Kunst los? In Ars Electronica 2001: Takeover. Wer macht die Kunst von morgen? / Who´s doing the art of tomorrow?, edited by Gerfried Stocker and
Digital Preservation: Recording the Recoding. The Documentary Strategy / Digitale Konservierung: Die Aufzeichnung der Neukodierung. Die Strategie der Dokumentation
2001
Depocas, Alain. Digital Preservation: Recording the Recoding. The Documentary Strategy / Digitale Konservierung: Die Aufzeichnung der Neukodierung. Die Strategie der Dokumentation In Ars Electronica 2001: Takeover : Who's doing the Art of Tomorrow =
Takeover - About the thing formerly known as art
2001
Stocker, Gerfried. Takeover - About the thing formerly known as art In Ars Electronica 2001: TAKEOVER - Who´s doing the art of tomorrow? / Wer macht die Kunst von morgen?, edited by Gerfried Stocker and Christine Schöpf, 16-19. New York, Wien:
Pixels and Places – Video Art in Public Space
2010
Schreuder, Catrien, ed. Pixels and Places – Video Art in Public Space. Vol.ISBN 978-90-5662-738-6. Rotterdam: NAi Publishers, 2010.
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