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Les émotions ont-elles une forme ? Du concept, au percept, à l’affect, tentative de réification de la subjectivité mondiale
2009
Event: Les émotions ont-elles une forme ? Du concept, au percept, à l’affect, tentative de réification de la subjectivité mondialeInstitution: Colloque Virtureal, CIRTESComment:
Tracing
1997
-
1997
Tracing i
s a
two screen projection in
sta
llation that uses the two-sides of a wall positioned in the middle of the gallery room to contrast two
sta
tes of cultural difference in the information age. Text
s a
nd ambient sound
s a
re continuously projected
Rara Avis
1996
-
1996
The work Rara Avis (1996) of Eduardo Kac consists of a large cage, in which thirty real birds (zebra finches) and a telerobot, which looks like a rare bird, take place. In the macaws eye
s a
re in
sta
lled two cameras with Charge-Coupled Devices
FLUflux
2009
-
2010
n this project selected for the Vi
sua
lizar ’09 workshop at the Media Lab Prado, Jihyun Kim and I created an interactive vi
sua
lization of the correlations between international flight travel and the outbreaks of global di
sea
ses during the first
The Garden (21st Century Amateur Film)
1992
In 1991 Waliczky wrote the script for THE GARDEN, an animation based on an idea which came from an old piece of Super-8 film, made over ten years before, showing a little girl playing in a country garden. The artist'
s a
im was to portray the
machine affection
2009
Cade, France. machine affection NEURAL 32 (Spring 2009).
Seeing You In My Dreams
2000
-
2000
The society i
s a
lways changing in a consequence of complex patterns of influences. The changes do not occur in a smooth flow but happen
s a
t different speed
s a
t different times. The development of technology is given great importance in the history
Transitio_MX 04: Collateral Affections
2011
-
2011
Event: Transitio_MX 04: Collateral AffectionsInstitution: Transitio FestivalComment:
Mobile Feelings l
2002
-
2003
video
2002/03 tangible communication device "Mobile Feelings" i
s a
n artistic project that explores the ambivalence of
sha
ring personal information with an anonymou
s a
udience. Instead of communication via voice or images to people we know, "Mobile
Simulated Social Model (sensoric detection)
2004
-
2004
The society i
s a
lways changing in a consequence of complex patterns of influences. The changes do not occur in a smooth flow but happen
s a
t different speed
s a
t different times. The development of technology is given great importance in the history
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