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Forty P
art
Motet
2001
... the Sovereignty. Using this piece of secular music as a st
art
ing point and working with four male voices (bass, baritone, alto...
Ittingen Walk
2002
-
2002
... a portable CD-player you are invited to walk through the ch
art
erhouse . Ones can hear texts and noises which refer on the real...
House Fire
2001
... sound. The couple have been experimenting with sound in their
art
since moving to Lethbridge in the early 1990's. Critics have...
Ripple
1995
-
1995
"p-Soup" and the forerunner "Ripple" are more formal graphic approaches to the Internet and the computer, using the possibilities of the Internet as an interactive shared space for creating aesthetic experience. (source:
Muriel Lake Incident
1999
... is made perfect and has the effect that the viewer st
art
s to daubt on their own cognition. (source:...
The Paradise Institute
2001
... scarily captivating 13-minute multimedia experience. But the
art
ists' mind-boggling interweaving of visual and aural systems...
To Touch
1993
... the viewer is a viewer from distance, are turned around. The
art
pieces st
art
s to be
art
only after an active action of the viewer....
[spaces]
1995
-
1996
...[spaces]
Art
ist: Mark NapierComment:
words
2001
video
This work needs time. Time to stand, sit or lie in front of your (computer) screen and look at the ongoing disintegration of the never ending Google image search. The result of this disintegration are abstract moving images, which run across the
Trigger
2002
-
2002
... between pleasure and pain." (Peter Weibel, "Jordan Crandall:
Art
and the Cinematographic Imaginary in the Age of Panoptic Data...
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