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  • ... the Sovereignty. Using this piece of secular music as a starting point and working with four male voices (bass, baritone, alto...
  • Ittingen Walk -
    ... a portable CD-player you are invited to walk through the charterhouse . Ones can hear texts and noises which refer on the real...
  • House Fire
    ... sound. The couple have been experimenting with sound in their art since moving to Lethbridge in the early 1990's. Critics have...
  • Ripple -
    "p-Soup" and the forerunner "Ripple" are more formal graphic approaches to the Internet and the computer, using the possibilities of the Internet as an interactive shared space for creating aesthetic experience. (source:
  • ... is made perfect and has the effect that the viewer starts to daubt on their own cognition. (source:...
  • ... scarily captivating 13-minute multimedia experience. But the artists' mind-boggling interweaving of visual and aural systems...
  • To Touch
    ... the viewer is a viewer from distance, are turned around. The art pieces starts to be art only after an active action of the viewer....
  • [spaces] -
    ...[spaces]Artist: Mark NapierComment:
  • This work needs time. Time to stand, sit or lie in front of your (computer) screen and look at the ongoing disintegration of the never ending Google image search. The result of this disintegration are abstract moving images, which run across the
  • Trigger -
    ... between pleasure and pain." (Peter Weibel, "Jordan Crandall: Art and the Cinematographic Imaginary in the Age of Panoptic Data...