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These are reconfigurations of the original work conFIGURING the CAVE (1997) that for reasons of economy use simplified projection and interface technologies. Instead of the four screen environment, only one wall screen, or combination floor and

... distance from the viewer, and they start to fade out and disappear after a short...

... long term conservation of computer based artworks. Instead of trying to maintain the...

...The Net.Art Browser is a means of conjoining information space with the museum space and hybridizing...

This version of Heavens Gate uses the original video material of this work, but presents it in a somewhat different viewing situation. By means of digital post-processing this video material has been anamorphically deformed, and is projected onto a

An augmented reality apparatus allowed the visitors, when looking through its optical window, to see a rotating computer-generated wire frame cube positioned in the real space of the museum. Further developement of this technology allowed stereo-

...rtual-reality "Inherent Rights, Vision Rights" the participant explores a sacred ceremony in a...

... that move about independently, and interactively respond to the users presence in...

"In a room with large-screen walls, where animated virtual players hold different musical instruments, the visitor, wearing data gloves, conducts a musical performance, leading the tempo with one hand and, with the other, directing aspects of the

..."Global Interior Project" is an experimental art work using digital networking technology for realizing...