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  • Arte Virtual y Reactivo
    Lozano-Hemmer, Rafael. Arte Virtual y Reactivo In Catálogo de Arte Virtual, Madrid, ES: Electa Edition, 1994.
  • Quase catálogo 2: Artistas Plásticas no Rio de Janeiro 1975-85
    De Holanda, Heloisa Buarque, ed. Quase catálogo 2: Artistas Plásticas no Rio de Janeiro 1975-85. Rio de Janeiro: CIEC / UFRJ, 1991.
  • Ciberarte: Zonas de Interação
    DOMINGUES, DIANA MARIA G. Ciberarte: Zonas de Interação Catálogo II Bienal do Mercosul Julio Le Parc e Arte e Tecnologia 1 (1999): 39-42.
  • TRANS-E, My Body, My Blood
    DOMINGUES, DIANA MARIA G. TRANS-E, My Body, My Blood Catálogo Isea - Chicago 1 (1997): 58-59.
  • DEAF 04: Affective Turbulence -
    Theme: affective turbulence, the art of open systems. DEAF, the Dutch Electronic Art Festival, is a biennial international and interdisciplinary festival organized by V2_ in Rotterdam (NL) which showcases crossovers between art, technology and
  • Ouroborus Biocíbrido: Geografismos do Extâse
    DOMINGUES, DIANA MARIA G and Adson ROCHA and Alexandre BARBOSA and A. L. C. G. de OLIVEIRA and C. TURELLY and Cristiano MIOSSO and Henrique Galvan DEBARBA and Tiago LUCENA and Maria Aparecida MATTOS. Ouroborus Biocíbrido: Geografismos do Extâse.
  • CATÁLOGOS RAZONADOS
    Andres Burbano and Andres Jurado and Luis Blackaller and Ricardo Miranda Zuñiga and Sharon Daniel and Manuel Orellana Sandoval. CATÁLOGOS RAZONADOS IDARTES (2014).
  • Untitled (Computer Project) - video
    For more than 10 years, Matt Mullican has been continuously developing a sign system which is, on the one hand, a product of his imagination, and on the other, taken directly from everyday life. Signs as they can be found in airports, train
  • The Design of the Grip - video
    The next period in Seaman's oeuvre employed video as a poetic technological vehicle, exploring sound, image and text relations within a slow pulsing hypnotic video space. Both linear tapes and video installations were produced. The tapes S.He
  • 935 m de bande, Daniel Buren -
    A l’image du « Corridoscope » de Buren, où alternent des bandes noires et blanches, le montage exploite une succession régulière de plans très courts. 935 mètres de bande adopte un tempo saccadé qui suit à la lettre celui de la bande son,texte et
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