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  • Medien Kunst Aktion: Die 60er und 70er Jahre in Deutschland
    Frieling, Rudolf and Dieter Daniels, ed. Medien Kunst Aktion: Die 60er und 70er Jahre in Deutschland. Wien, New York: Springer, 1997.
  • 1000 Platitudes -
    1000 PLATITUDES consists of large photomontages and one video documentary, which is shown on a plasma screen. Words commonly used to describe the generic globalized city; --each letter of the alphabet was projected on a different building using the
  • Dot.jp Project: A Curator's Japan Diary (MoMA Web subsite) -
    2000-6 Untitled PLACE: Japan PARTICIPANTS: Christa Sommerer, Director of the Art and Technology Project, ATR Research Laboratories, Science City; Masamichi Tosa; Nobumichi Tosa, brothers and founders of Maywa Denki, a musical group whose innovations
  • Brigitte Neufeldt
    Statement Seit Mitte der 90er Jahre des letzten Jahrhunderts beschäftige ich mich mit dem urbanen Raum, Naturphänomenen, dem menschlichen Körper, politischen Themen und virtuellen Welten. Im Rahmen meines Kunststudiums habe ich Werke entwickelt,
  • ISS#71904
    Kac, Eduardo. ISS#71904. 100 th ed.Paris: L’Observatoire de l’Espace, 2017.
  • Dislocative Sculpture video
    In "Dislocative Sculptures," Goethe-Institut Second Life Artist in Residence Tamiko Thiel and the United|Dislokations|Kartell (U|D|K) used the unique physics of building in Second Life to create a sculpture that could exist nowhere else. Cyberspace:
  • Perceptive Dislocations
    "Perceptive Dislocations" was a performative event at the Goethe-Institute Island in Second Life. Cyberspace: The Final Frontier. Since 1994 with the advent of the World Wide Web, online virtual 3D worlds promised us endless freedom to be and do
  • Dissappearing Architecture - From Real to Quantum
    Flachbart, Georg and Peter Weibel. Dissappearing Architecture - From Real to Quantum. ISBN-10:3-7643-7275-3, : Birkhäuser/ZKM, 2005.
  • Die Tanzen und die Toten - video
    Videotape [English title, The dancing and the dead] If YOU, yes YOU, the one I'm addressing, have already photographed corpses and the pried-open skull, that is even now beautiful picturedance of the corpseshots (the camera is moved) a dancer
  • The Year's Midnight
    The Year's Midnight, 2011 Computer, software, camera, high-resolution display, Seeing Machines face recognition 105.5 x 80 x 12 cm Ed. 3/6, 1 AP (RLH 89.3) White or black smoke bellows from the eyes of the viewer. Live and recorded eyeballs
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