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  • ...Albuquerque, Beatriz. Revolution. [e]motion-Graduate Conference on Science and Technology of the Arts Universidade Católica Portuguesa, Porto., no. . (. 2021): 24.
  • ...Albuquerque, Beatriz. Revolution. [e]motion-Graduate Conference on Science and Technology of the Arts Universidade Católica Portuguesa, Porto., no. . (. 2021): 24.
  • Revolution
    ...Albuquerque, Beatriz. Revolution [e]motion-Graduate Conference on Science and Technology of the Arts Universidade Católica Portuguesa, Porto., no. . (. 2021): 24.
  • Revolution
    ...Albuquerque, Beatriz. Revolution [e]motion-Graduate Conference on Science and Technology of the Arts Universidade Católica Portuguesa, Porto., no. . (. 2021): 24.
  • Revolution
    ...Albuquerque, Beatriz. Revolution [e]motion-Graduate Conference on Science and Technology of the Arts Universidade Católica Portuguesa, Porto., no. . (. 2021): 24.
  • Revolution
    ...Albuquerque, Beatriz. Revolution [e]motion-Graduate Conference on Science and Technology of the Arts Universidade Católica Portuguesa, Porto., no. . (. 2021): 24.
  • Revolution
    ...Albuquerque, Beatriz. Revolution [e]motion-Graduate Conference on Science and Technology of the Arts Universidade Católica Portuguesa, Porto., no. . (. 2021): 24.
  • Revolution
    ...Albuquerque, Beatriz. Revolution [e]motion-Graduate Conference on Science and Technology of the Arts Universidade Católica Portuguesa (2021).
  • ... All of them, in one way or the other, pose questions about issues that have to do either with nature, or with artifice and technology, and often with both. However, isn’t’ this differentiation in itself artificial, and even false? Because there is no...
  • ... Eve Clone, and eventually it is integrated again with Vitruvian Man. This process conveys the image of Eve Clone, a product of technology, has the perfect ratio that da Vinci developed for the Vitruvian Man. It also conveys the desire expressed in da Vinci’s...