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...In an arena of about 6m by 10m the artist puts a number of spinning tops in motion. He attempts to drive them as a kind of flock or lets them...

2 conveyor belts of about 13m long are set up next to each other and running in opposite directions. People can lay down on them to be transported very slowly. Hidden under the surface an invisible mechanism produces a subtle yet intense tactile

A matrix of sixty-four tubes is spread out equally over the room. These tubes bend over extremely slowly as if a slow motion wind were touching them. Leaning into one another they reach out to the visitors like the tentacles of a giant snail. The

... or repulsion that can be compared to be being in a magnetic field. You can explore this environment and discover a tactile...

... the identity of the user making the request. But the Russian artist delved deeply into the growing importance of these tools and...

... as monuments, as state heritage, and so on. This project, as part of the Biennale, is a 'partial' celebration of this history, filled...

... effectively left to die...until the Biennale planned its re-use as an art site. This artwork’s recovery of Tanglin’s electrical ‘body’ is a...

... out, to reduce the chances of the PWD (public works department, which is on the lookout for electrical violations) finding...

... and residents themselves. As you turn the crank, the lit part of the ring of lights moves, for example from the Kothari building...

A dark room with a large vibrating mirror deforms the reflection of the visitor. (The installation is to be visited individually.) At first the vibrations are so subtle that you might wonder if it are your own eyes that are having trouble to focus.