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  • UCL Environment Institute, ed. Data Soliloquies. London: Slade Press, 2010.
  • Callanan, Martin John. Text Trends. London, England: Merkske Books, 2010.
  • Klanten, Robert and Lukas Feiress and S. Ehmann, ed. Staging Space Scenic Interiors and Spatial Experiences. Berlin: Gestalten Verlag, 2010.
  • Tina Sauerlaender (she/her) is an art historian, curator, speaker and writer. She holds a PhD from The University of Arts, Linz, Austria. The title of her dissertation is PERFORMING IDENTITIES. Self-Representation in Art from the Renaissance to
  • Peter Flemming Curriculum vitae, March 2010 www.peterflemming.ca peter@peterflemming.ca all locations Canada, unless otherwise mentioned Artist statement I see what I make as the electromechanical equivalents of short stories. Instead of
  • Brook, Tony and Adrian Shaughnessy, ed. Supergraphics. London, UK: United Edition, 2010.
  • LAb[au]. Light, Colour, Sound (Luz, Color, Sonido). Barcelona, ES: Parramon Ediciones S.A., 2010.
  • LAb[au]. Algorithm and Light In Mediatecture, edited by Christoph KronhagelNew York: Springer Verlag, 2010.
  • Lieser, Wolf and [DAM] gallery Berlin and Cologne, ed. The World of Digital Art. Potsdam, DE: h.f.ullman publishing, 2010.
  • Lanfranco Aceti works as an academic, artist and curator and is the founder of The Studium: Lanfranco Aceti Inc. He is the founder and Director of OCR (Operational and Curatorial Research in Contemporary Art, Design, Science and Technology) and