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  • QUARXS 90S
    At the beginning of the 90s, Quarxs was the very first 3D graphics HD TV series widely awarded as a pioneer TV program. Conceived in collaboration with comics author Francois Schuiten and Benoît Peeters, it has become a reference in the history of
  • Elektroplankton -
    Electroplankton is an interactive music video game developed by the Japanese interactive media artist Toshio Iwai and published by Nintendo for the Nintendo DS portable gaming system. This unique software allows one to interact with animated
  • The Year's Midnight, 2011 Computer, software, camera, high-resolution display, Seeing Machines face recognition 105.5 x 80 x 12 cm Ed. 3/6, 1 AP (RLH 89.3) White or black smoke bellows from the eyes of the viewer. Live and recorded eyeballs
  • Seed/Tree - video
    SEED /TREE (2005) Installation/Butoh Performance/Live Electronics This project was created during an “artist in residence” program at the ZKM (Centre for Media Art in Karlsruhe, Germany). Feelings, associations, mental images and spontaneous
  • Event: In the Beginning: Artists Respond to GenesisInstitution: Contemporary Jewish MuseumComment:
  • Event: The Genesis at the End of the BeginningInstitution: Ecotic symposiumComment:
  • In 1993, I was asked to do my first large commission for British Telecom at their HQ in the City of London. I was also invited to exhibit at Images du Futur in Montreal, where despite being a previously unknown, I was given the largest single
  • Kusahara, Machinko. We Will Open the Panorama-kan: The Beginning of the ‘Panorama Craze’ in Meiji Japan In The Panorama in the Old World and the New, edited by Gabriele KollerBüro Wilhelm, Amberg: 2010.
  • Ogaki Biennale 2004 -
    "After its beginning in 1995, it was held for the first 4 times as the interactive art festival "Interaction". Subsequently in 2004, it was reorganized as "Ogaki Biennale", and will continue in this form, with workshops, outside street exhibitions
  • Document B -
    Life has a beginning, a middle and an end. Our minds and memories see time pass in a narrative stream, moving from a beginning towards a close, and this pattern informs our concepts – and our preconceptions. But can we really confirm our lives as we