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Manovich, Lev. Import/Export: Design Workflow and Contemporary Aesthetics http://manovich.net/index.php/projects/import-export.

Gsöllpointner, Katharina and Ruth Schnell and Romana K. Schuler. Digital Synesthesia: A Model for the Aesthetics of Digital Art. Berlin/Boston: Walter de Gruyter, 2016.

Badani, Pat. On Digital Art, Latin America, and the Aesthetics of Infiltration In Parcours Interculturels. Être et devenir., edited by Maia MorelVol.ISBN: 978-2-9811987-0-9. , 175 to 183.. Quebec, Canada: Éditions Peisaj, 2010.

Caviezel, Flavia & Schwander, Markus and Pat Badani, ed. Eighty Seven Questions About Artistic Research. Vol.ELIA Conference: Economies of aesthetics. https://issuu.com/swissartisticresearchnetwork/docs/170602_sarn_87-questions_epub_doppe th

Pearlman,Ellen. Interface Criticism: Aesthetics Beyond Buttons by Christian Ulrik Andersen & Soren Pold Eds. Leonardo On-Line Reviews May.

Hauser, Jens. Greenness: Sketching the Limits of a Normative Fetish In The Aesthetics of Necropolitics, edited by Natasha LushetichVol.4. Experiments/On the Political, , 97-118. London: Rowman & Littlefield Publishers, 2018.

Benayoun, M.. Art Collider: Towards Transactional Aesthetics AAO Project Conference Proceedings (2011).

Berlot, Uršula. Duchamp and the Notion of Optical Tactility Art, Emotion and Value. 5th Mediterranean Congress of Aesthetics. University of Murcia (2011).

Puncer, Mojca. Sodobna umetnost in estetika/Contemporary Art and Aesthetics Ljubljana: Publicistično društvo ZAK, Maribor: Pedagogic Faculty (2010).

Robles-Angel, Claudia. The Human Body as an Audiovisual Instrument. Sound and Image Aesthetics and Practices. Andrew Hill editor, Routledge. ISBN 9780367271466. 1st (2020): chapter 21.