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There Is No Business
2009
-
2009
...TITLE: There is no business
ART
IST: Rafael Lozano-Hemmer WORK DATE: 2009 CATEGORY: Installations MATERIALS: Installation néon, métal,...
My Black Cat
2009
-
2009
In a series of 'test cases', Knowbotic Research investigate the construction of identity, power, and communication.The installation Black_Cat confronts the constitution of subjectivity under the current post-media condition. In this installation,
datamatics [prototype-ver.2.0]
2006
-
2008
... audiovisual concert in Ryoji Ikeda's datamatics series, an
art
project that explores the potential to perceive the invisible...
data.spectra
2005
-
2005
data.spectra is the first work of the data.series. Across the entire width of a darkened room is an intensely bright, narrow screen. On moving closer, the screen reveals that the source of the flood of light into the room is a vast array of tiny
data.film
2007
-
2008
... How can we verify that the random is random? data.film is p
art
of the datamatics project, which is a series of experiments that...
Third Person
2006
-
2006
Third Person is the second piece of the ShadowBox series of interactive displays with a built-in computerized tracking system. This piece shows the viewer's shadow revealing hundreds of tiny words that are in fact all the verbs of the dictionary
Wavefunction
2007
-
2007
... like real water. The idea of a “function” as a field for
art
istic experimentation is a motivation for this piece. Other references...
Stereoscope
1999
-
1999
... the eye is tricked into seeing volume. In Stereoscope the
art
ist employs a reverse maneuver. A split screen dismembers...
db
2002
-
2005
Ikeda's sound installation in an anechoic chamber is intended to quite physically explode the senses. Using the highest and lowest frequencies that human ears can bear, db is a hyper-dense composition of sine waves, white noise and other elements,
spectra [for Terminal 5 JFK]
2004
-
2004
... site-specific installation commissioned for the tunnel as p
art
of Terminal 5, an exhibition curated by Rachel K. Ward. While...
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