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  • Steven Schkolne was born in Cape Town in 1976, and raised in the eastern United States. He received his PhD from Caltech in 2003. He currently teaches software, media, and tech culture as faculty at Calarts. His online work has been associated with
  • Kluszczyński, Ryszard W. and Derrick de Kerckhove and Luca Farulli and Monika Fleischmann and Wolfgang Strauss and Ryszard W. Kluszczyński and Derrick DeKerckhove and Luca Farulli and . Performing Data - Monika Fleischmann + Wolfgang Strauss.
  • Allen, Rebecca and Jane Nisselson. Computers Who Dance Digital Deli (1984).
  • bug[lab]02 -
    The installation gathers a group of 10 robotic dogs in which some punctual and random bugs emerge (this is almost a pleonasm) in order to ironically illustrate the potential consequences of some functional problems in the system. It consists of
  • Laura Dekker’s research-based art practice considers the reciprocal roles of technologies in how we experience, make sense of, cope with, and construct ourselves and our world. She explores these ideas through interactive installations, combining
  • Loc-reverb develops Colson’s themes of location and memory, concerns seen in an earlier CD-ROM "Mindtracker". Loc-reverb blends photography and moving elements to portray the artist’s interrogation of locations, in particular London. It presents the
  • Sophie Taeuber-Arp's Vanishing Lines Myriam Thyes, 2015, animation, HD video, 10:10, loop, stereo. Sound: Silvia Pachler. In what is, prima facie, a mesh of abstract lines, no few of the works that Sophie Taeuber-Arp completed between 1940 and 1942
  • Backpacks are a series of physical components with a button knob that can be attached to Topobo Actives to modify the way a recorded motion plays back. For instance, by turning the knob on the Bigger/Smaller Backpack, you can make you recorded
  • Geb. 1966 in Berlin. Studium der Geophysik und Philosophie in Berlin, Kiel und Hawaii. Promotion in Kulturwissenschaft bei Hartmut Böhme an der Humboldt-Universität Berlin. Seit 1994 Projekte und eigene Ausstellungen zur Verbindung zwischen Kunst
  • Matthew Mirapaul. Deliberately Distorting the Digital Mechanism New York Times (21 April 2003).