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  • Depocas, Alain. Digital Preservation: Recording the Recoding. The Documentary Strategy / Digitale Konservierung: Die Aufzeichnung der Neukodierung. Die Strategie der Dokumentation In Ars Electronica 2001: Takeover : Who's doing the Art of Tomorrow =
  • Emrich, Hinderk Meiners. Psychiatrische Anthropologie. Würzburg: Königshausen and Neumann, 1990.
  • Von Neumann, John and Oskar Morgenstern. Theory of Games and Economic Behavior. Princeton: Princeton University Press, 1944.
  • Burks, Arthur, ed. Theory of Self-Reproducing Automata. Urbana, London: University of Illinois Press, 1966.
  • Through video essays and photography, the exhibition MASCHINENSEHEN [MACHINEVISION] documents the practice of picture production: its devices and technologies, the laboratories, as well as the sites where the new processes are applied. In addition,
  • Cade, France. machine affection NEURAL 32 (Spring 2009).
  • Ludovico, Alessandro. New Zealand Report Neural.it 32 (Spring 2009).
  • María Fernández is Associate Professor in the Department of History of Art and Visual Studies at Cornell University and currently serves as Director of Graduate Studies. She received her doctorate in art history from Columbia University in 1993. Her
  • Mimetic Starfish -
    The Mimetic Starfish is a virtual creature, projected onto a large circular table. It reacts to visitors hand gestures in a life-like manner, slowly extending a tentacle towards a gently moving hand, or receding rapidly in an impulsive manner if the
  • Alessandro Ludovico is an artist, media critic and editor in chief of Neural magazine since 1993. He has published and edited several books, and has lectured worldwide. He's one of the founders of Mag.Net (Electronic Cultural Publishers