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  • NEIL FORREST: HIVING MESH
    Beesley, Philip. NEIL FORREST: HIVING MESH. Halifax: St. Mary's University Art Gallery, 2000.
  • WORKS: THE ARCHITECTURE OF A.J. DIAMOND, DONALD SCHMITT, AND COMPANY 1968 - 1995, "York University Student Centre" By AJD,DS&Co, Philip Beesley Project Architect
    Carter, Brian, ed. WORKS: THE ARCHITECTURE OF A.J. DIAMOND, DONALD SCHMITT, AND COMPANY 1968 - 1995, "York University Student Centre" By AJD,DS&Co, Philip Beesley Project Architect. Halifax: TUNS Press, 1996.
  • Fidelio, 21. Century -
    Adaptation of the opera "Fidelio" (1814) by Beethoven "Fidelio, 21st century" [...] is the first classical to be performed interactively in a three-dimensional virtual reality [...]. On one side of the cellar computer equipment whirs, and the
  • Inauguration of the Stage for Music Visualisation, Digital Beethoven-House -
    Performance at the Stage for Music Visualisation of the Digital Beethoven-House
  • Beethoven-House
  • El jardín de (l) Goethe -
    With her installation "Über allen Wipfeln ist Ruh", Claudia Robles created a space of silence and contemplation, in order to make - in return - the extreme noise pollution almost painfully tangible: The Goethe-Institut Bogotá is located on one of
  • In der Luft befindlich: Control Room Tempelhof
    Das FORSCHUNGSFLOSS - Institut für Kunst und Subjektive Wissenschaft wirft Anker im Flughafentower Tempelhof und präsentiert aktuelle Ergebnisse aus dem "Fall-Labor". Das Augenmerk dieser hoch über dem Flugfeld angesiedelten Abteilung liegt auf der
  • Das befreite Bild
    Weibel, Peter. Das befreite Bild In Kunst, neue Technologien: Standortbestimmung. Schriftenreihe der Hochschule der Künste Berlin, edited by Karl Hofer Symposium 1984Vol.7. , 125-140. Berlin, DE: Colloquium Verlag, 1986.
  • Johanna Dombois
    Born in 1967 in Berlin is an opera director and author. She produces experimental music theatre and media art inter alia in cooperation with Young Vic London (1987-89), the Academy of Arts Berlin (1993/94, Nederlandse Opera (1998), State theatre
  • Radoslav Rochallyi
    My artwork is critical of social, political, and cultural issues. My work often refers to European history and especially the present. For the last few years, I have been working on my works in the Visual Mathematical form. I process every idea both
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