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Thinking Machines: Art and Design in the Computer Age, 1959–1989
2017
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2018
curators Sean Anderson and Giampaolo Bianconi.
Water Lily Invasion
2016
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2016
As global water levels and temperatures rise, plants and animals are mutating to adapt. Strange new creatures are arising at the interstices between plant and animal, questioning and transgressing the boundaries of what is considered to be reactive
Julieta Agriano
(Buenos Aires, 1981) Works as an independent curator and cultural practitioner specialized in the digital and electronic scene. Her actual curatorial research is based on the development of Semiotopías, a neologism and curatorial saga she created as
Israel Lopez
Mexican digital artist, PhD in Art and Culture, Master of Arts for Architecture, Art and Design Division of the University of Guanajuato. His work is constituted in the manipulation of digital media and its relationship with the human body,
I am Sound
2016
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2016
From Mission Base's Website: An interactive image/sound installation by Tamiko Thiel (image) and Christoph Reiserer (sound), 2016 "I am Sound" interweaves contemporary concerns with surveillance, face tracking and use of personal data into a
Profile Intermedia 4
2001
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2001
International Designconference and exhibition. Topic: motion e)motion emotion.
Another Day in Paradise
1992
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1994
The installation "Another Day in Paradise" was composed of three preserved trees: surveillance, video and touchscreen trees. The equipment not contained in the trees themselves was hidden from view in fiberglass rocks. The monitors were embedded in
The Dice Time of the Dynamic Space
1994
Strauss, Wolfgang and and Monika Fleischmann. The Dice Time of the Dynamic Space In The 5th International Symposium on Electronic Art Catalogue, edited by Mina Tarkka, 106-107. : University of Art and Design Helsinki UIAH, 1994.
“Let’s talk business” and “Megacorp” – Examples of artistic anti fraud activism
2016
Kronman, Linda and Andreas Zingerle. “Let’s talk business” and “Megacorp” – Examples of artistic anti fraud activism In Engineering the future, edited by V&A Digital Design Weekend: V&A, 2016.
Srečo Dragan
Srečo Dragan is an artist known for his pioneering work in video art. He collaborated with Ana Nuša Dragan from 1967 to 1988, creating the first video in Yugoslavia, "The White Milk of White Breasts," in 1969. They were also active members of the
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