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Thomson & Craighead
SHORT BIO Jon Thomson (b. 1969) and Alison Craighead (b. 1971) are artists living and working in London. They make artworks and installations for galleries, online and sometimes outdoors. Much of their recent work looks at live networks like the
Myron Turner
Myron Turner's works created for the web have been collected and shown in a variety of Internet venues, including the Whitney Artport series, Javamuseum, and the Rhizome Artbase, and in 2006 he was nominated for a Viper award. He was also among the
Victoria Vesna
Victoria Vesna, Ph.D., is a media artist and Professor at the UCLA Department of Design | Media Arts and Director of the Art|Sci center at the School of the Arts and California Nanosystems Institute (CNSI). She is currently a senior researcher at
Grahame Weinbren
Grahame Weinbren is a pioneer of interactive cinema. His installations have been exhibited since 1985, including the Whitney Museum, ICA (London), the Guggenheim Museum, the Bonn Kunsthalle, and the Centre Georges Pompidou. Commissions include the
MARI AMMAN
Mari Amman (b. 1984) works globally creating afferent artworks. Images, installations, poetry, performance, sculpture, and artistic research bring forth geological empathy and parietal aspects of perception, sparking inquiry into proposed divides
Intersecting the Virtual and the Real: Space in Interactive Media Installations
2002
Legrady, George. Intersecting the Virtual and the Real: Space in Interactive Media Installations In New Screen Media. Cinema/Art/Narrative, edited by Martin Rieser and Andrea Zapp, 221-226. London: BFI London and ZKM Karlsruhe, 2002.
Realizing a Digital Media Installations: Problems and Synergetic Effects of an Interdisciplinary Collaboration
2001
Legrady, George and Brigitte Steinheider. Realizing a Digital Media Installations: Problems and Synergetic Effects of an Interdisciplinary Collaboration In Proceedings of MTAC 2001, Multimedia Technology and Applications, UC Irvine, , 255-260.
The Material versus the Virtual: On Dialectics of Dalibor Martinis' Art
1997
Kluszczyński, Ryszard W.. The Material versus the Virtual: On Dialectics of Dalibor Martinis' Art In Martinis – Observatorium: Video/Audio/Interactive Installations [La Biennale di Venezia. XLVII Esposizione Internazionale d'Arte], edited by
Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations
2011
Simanowski, Robert. Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations. Vol.35. Electronic Mediations, Minneapolis: University of Minnesota Press, 2011.
Alexandra Dementieva: ‘All art is an interactive game. I am offering the viewer an opportunity to take an active part in the work’
2017
NATASHA KURCHANOVA. Alexandra Dementieva: ‘All art is an interactive game. I am offering the viewer an opportunity to take an active part in the work’
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