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  • Weibel, Peter and Christoph Blase, ed. Record Again! 40 Jahre Videokunst.de. Teil 2. http://zkm.de/publikation/record-again. Vol.535 S. : zahlr. Ill. + 1 DVD. ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe th ed.ZKM | Zentrum für Kunst und
  • Weibel, Peter and Christoph Blase, ed. Record Again! 40 Jahre Videokunst.de. Teil 2. http://zkm.de/publikation/record-again. Vol.535 S. : zahlr. Ill. + 1 DVD. ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe th ed.ZKM | Zentrum für Kunst und
  • Weibel, Peter and Christoph Blase, ed. Record Again! 40 Jahre Videokunst.de. Teil 2. http://zkm.de/publikation/record-again. Vol.535 S. : zahlr. Ill. + 1 DVD. ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe th ed.ZKM | Zentrum für Kunst und
  • Weibel, Peter and Christoph Blase, ed. Record Again! 40 Jahre Videokunst.de. Teil 2. http://zkm.de/publikation/record-again. Vol.535 S. : zahlr. Ill. + 1 DVD. ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe th ed.ZKM | Zentrum für Kunst und
  • Abandoned
    Abandoned artist's studio featuring a technical apparatus in a process of transition in which analog turns into digital. Reflection on mise-en-scène of media, performance, installation and exhibition: recorded and constructed, present and absent,
  • Abandoned
    Abandoned artist's studio featuring a technical apparatus in a process of transition in which analog turns into digital. Reflection on mise-en-scène of media, performance, installation and exhibition: recorded and constructed, present and absent,
  • Campos | Temporales -
    ... image. The patterns are animated by cyclic changes in...
  • Acevedo presented a 10-year retrospective survey of his Electronic Visual Music works and one pre-recorded AV performance. On opening night he performed two LIVE mix video AV sets along with Modular Synth musician called James Allen (J3m5).
  • The aim of the events, in the context of Mediaterra 02, is to promote environments that advance communication and the universality of culture and to demarcate, record and project new standards of artistic expression and communication. (source:
  • The goal was to save video material threatened with disappearance and to rescue forgotten material. The project succeeded in retrieving a large number of videos from the 1960s and 1970s, believed lost, from artists, estates, and museum storerooms;