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  • Der künstliche Wille
    Weibel, Peter. Der künstliche Wille In Ars Electronica 1984 (Band 1), edited by Gottfried Hattinger and Christine SchöpfVol.1. , 239-256. Linz: Linzer Veranstaltungsgesellschaft mbH, 1984.
  • Marc Lee
    Marc Lee is a Swiss artist. He uses contemporary art as a vehicle to continuously redefine how we see ourselves and the world around us. He is experimenting with information and communication technologies and within his contemporary art practice, he
  • Catherine Mason
    My particular expertise in the history of computer and digital art began in 2002 when I joined an AHRC-funded research group at Birkbeck College, University of London – The CACHe Project (Computer Arts, Contexts, Histories, etc), which investigated
  • Ultima Ratio. Software und Interaktive Installation
    Daniela Alina Plewe. Ultima Ratio. Software und Interaktive Installation In Ars Electronica 98: Infowar: Information, Macht, Krieg, edited by Gerfried Stocker and Christine SchöpfWien, New York: Springer, 1998.
  • Genesis
    Kac, Eduardo. Genesis In Ars Electronica 1999: LifeScience, edited by Gerfried Stocker and Christine SchöpfWien, New York: Springer Verlag, 1999.
  • Visionen der Mediengesellschaft
    Weibel, Peter. Visionen der Mediengesellschaft In Konzert. Klangkunst. Computer. Wandel der musikalischen Wirklichkeit, edited by Darmstadt Institut für Neue Musik und Musikerziehung, 9-17. Mainz, DE: Schott Music, 2002.
  • European Media Art Festival 1995: Art and Body
    "Art and Body" was the general topic of EMAF 1995. Many artists had chosen the human body to be the focal point of their projects, and they also brought up the question of the influence the expansion of interactive media has on the individual. The
  • What´s the Matter with the Institutions of Art? / Was ist mit den Institutionen der Kunst los?
    Hirsch, Andreas. What´s the Matter with the Institutions of Art? / Was ist mit den Institutionen der Kunst los? In Ars Electronica 2001: Takeover. Wer macht die Kunst von morgen? / Who´s doing the art of tomorrow?, edited by Gerfried Stocker and
  • Digital Preservation: Recording the Recoding. The Documentary Strategy / Digitale Konservierung: Die Aufzeichnung der Neukodierung. Die Strategie der Dokumentation
    Depocas, Alain. Digital Preservation: Recording the Recoding. The Documentary Strategy / Digitale Konservierung: Die Aufzeichnung der Neukodierung. Die Strategie der Dokumentation In Ars Electronica 2001: Takeover : Who's doing the Art of Tomorrow =
  • Neue Technologien und gestalterische Kreativiät
    Eshaq, Ahmad Rafi Mohamed. Neue Technologien und gestalterische Kreativiät In Takeover - wer macht die Kunst von morgen / Who´s Doing the Art of Tomorrow, edited by Gerfried Stocker and Christine Schöpf, Vienna and New York. : Springer, 2001.
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