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  • Benayoun, Maurice. Art Collider: Towards Transactional Aesthetics In AAO Project Conference Proceedings, Athens: Papasotiriou Publishing, 2011.
  • Birkhoff, Georg David. A Mathematical Theory of Aesthetics and its application to Poetry and Music The Rice Institute Pamphlet 19, no. 3 (July 1932).
  • Willet, Jennifer and Shawn Bailey. BIOTEKNICA: Organic Tissue Prototypes The State of the Real: Aesthetics in the Digital Age, Damian Sutton, Susan Brind and Ray McKenzie, Edts. (2006): 125-134.
  • Owens is an interdisciplinary artist, writer, and curator interested in the influence of digital networks and communication systems on contemporary aesthetics and the production of subjectivity. She is Director of Cornell Council for the Arts and
  • Schahram Poursoudmand Music & Sound Artist I Composer I Visual Imagist I Poet Schahram Poursoudmand is a German experimental, avant-garde composer, music & sound artist, visual imagist and poet. He creates extraordinary music, sound and visual art.
  • Vesna, Victoria. Database Aesthetics: Art in the Age of Information Overflow. Minneapolis, MN: University of Minnesota Press, 2007.
  • Kluszczyński, Ryszard W.. Strategies of Interactive Art Journal of Aesthetics & Culture 2 (2010): 1-27.
  • Kluszczyński, Ryszard W.. The Aesthetics of Reason and Care In Crude Life: The Issue Culture & Art Project: Oron Catts & Ionat Zurr, edited by Ryszard W. Kluszczyński, 72-91. Gdańsk: Laznia Centre for Contemporary Art, 2012.
  • Peraica, Ana. The aesthetics of the negative; or the negative dialectics of photography Journal of Physics Conference Series 012013, no. 230 (2010).
  • Victoria Vesna, Ph.D., is a media artist and Professor at the UCLA Department of Design | Media Arts and Director of the Art|Sci center at the School of the Arts and California Nanosystems Institute (CNSI). She is currently a senior researcher at