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Manchester Illuminated Universal Turing Machine, #24
1998
THE MANCHESTER ILLUMINATED UNIVERSAL TURING MACHINE by Roman Verostko, 1998 The Project: A family of algorithmic pen plotted drawings, each presented with the binary text for a Universal Turing Machine (UTM), was created for an exhibition in
Manchester Illuminated Universal Turing Machine, #20
1998
THE MANCHESTER ILLUMINATED UNIVERSAL TURING MACHINE by Roman Verostko, 1998 The Project: A family of algorithmic pen plotted drawings, each presented with the binary text for a Universal Turing Machine (UTM), was created for an exhibition in
Manchester Illuminated Universal Turing Machine, #19
1998
THE MANCHESTER ILLUMINATED UNIVERSAL TURING MACHINE by Roman Verostko, 1998 The Project: A family of algorithmic pen plotted drawings, each presented with the binary text for a Universal Turing Machine (UTM), was created for an exhibition in
Composition on the Table
1998
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1999
Composition on the Table (1998/99) is comprised of four white tables bearing physical interface components: switches, dials, and turntables. Computer graphics images are projected onto the tables from ceiling-mounted video projectors, and
Turnstile I
1997
Turnstile I connected a New York City Subway turnstile in Times Square to an identical turnstile placed in the gallery space. When a person passed through the turnstile in Times Square the arm of the turnstile in the gallery would turn in the
How are you?
1998
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2010
“How are you?” is a question that seems so simple as it is understood in the West, since it is no more than an introduction to language or a sign of recognition. We do not really answer. In Russia, you do not ask the question unless you want a full
Turnstile II
1998
video
Turnstile II creates a virtual gateway where an endless realm of content is generated by the live culling of network objects from HTML pages, live chat and email archives. Through a familiar interface of a typewriter printing characters onto the
Rupture, the passion market: why love is not fashionable (1998), Mix media interactive installation: 2 digital paintings and 1 neon, 12 postcards and an interactive CD-ROM
1998
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1998
Rupture, the passion market: why love is not fashionable (1998), Mix media interactive installation: 2 digital paintings and 1 neon, 12 postcards and an interactive CD-ROMArtist: Patrícia GouveiaComment:
Gulliver's Travels
1998
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1998
video
Gulliver's Travels ©1998, C. Sommerer, L. Mignonneau and R. Lopez Gulliver Visitors are inserted with a 3D panorama representing a natural forest. The forest was photographed with 2 analog photographic machines with several shots. The third
Touchware : Liquid Views
1998
»1998 SIGGRAPH'98 Artshow, Orlando, Florida: »Liquid Views« in Touchware.« Siggraph Artshow
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