Archive
Search
Artist Index
Institution Index
Thesaurus
[Default Title]
ADA Help
About
(current)
Magazine
Tools
Community
Feedback
Join
Theme
Theme
Light
Dark
Auto
Login
Login
Archive Search
Search
Date
1979–1989
1990–1995
1996–2000
2001–2005
2006–2010
2011–2015
2016–2020
2021–now
Genre
Digital Animation
Digital Graphics
Net Art
Social Network
Database Art
Bio Art
Digital Performance
Nano Art
Robotics
Telematics
Installations
Game Art
Glitch Art
Digital Activism
Events
Festival
Exhibition
Other
Conference
Reset
Artist
Scholar
Work
Work with Video
Literature
Institution
Event
Feature
All Categories
1
…
(more)
259
260
261
262
(current)
263
(more)
1301
sort by relevancy (down)
Sort by Alphabeth (up)
sort by date (up)
sort by category (up)
Jill Scott
Jill Scott is an Artist and Professor for Art and Science in the Institute Cultural Studies in the Arts, at the Zurich University of the Arts. She holds a PhD form the University of Wales (UK), MA of USF, San Francisco, and a Degree in Education
WYSIWyG or WYGIWyS? (What you see is what you get or what you get is what you see?
2004
Beiguelman, Giselle. WYSIWyG or WYGIWyS? (What you see is what you get or what you get is what you see? In pOes1s. Ästhetik digitaler Poesie, edited by Friedrich W. Block and Christiane Heibach and Karin WenzOstfildern-Ruit: Hatje Cantz, 2004.
From the Poesy of Programming to Research as Art
2003
Sommerer, Christa and Laurent Mignonneau and Christine Schöpf. From the Poesy of Programming to Research as Art In Ars Electronica 2003, CODE - The Language Of Our Times, edited by Gerfried StockerOstfildern/Ruit: Hante Cantz Verlag, 2003.
Wirklichkeitsdiffusion. Wirklichkeitserfahrungen in der Kunst zwischen hyperreal und hypermedial
2000
Weibel, Peter. Wirklichkeitsdiffusion. Wirklichkeitserfahrungen in der Kunst zwischen hyperreal und hypermedial In Hypermental. Wahnhafte Wirklichkeit 1950 - 2000 von Salvador Dali bis Jeff Koons, edited by Bice Curiger and Christoph Heinrich,
Xeno-epistemics: Makeshift Kit for Visual Art as Knowledge Production and the Retinal Regimes
2002
Maharaj, Sarat. Xeno-epistemics: Makeshift Kit for Visual Art as Knowledge Production and the Retinal Regimes In Documenta 11, Ostfildern-Ruit: Hatje Cantz, 2002.
Die hybridisierte Realität
2005
Dyens, Ollivier. Die hybridisierte Realität In Hybrid - Living in the Paradox, edited by Gerfried Stocker and Christine SchöpfOstfildern-Ruit: Hatje Cantz, 2005.
Surrounding Architecture / Die Konturen der Architektur
2005
Haque, Usman. Surrounding Architecture / Die Konturen der Architektur In Hybrid - Living in Paradox, edited by Gerfried Stocker and Christine SchöpfOstfildern-Ruit: Hatje Cantz, 2005.
Neue Berufsfelder und Bildproduktion. Wissensmanagment vom künstlerischen Tafelbild zu den bildgebenden Verfahren der Wissenschaft
2001
Weibel, Peter; u.a.. Neue Berufsfelder und Bildproduktion. Wissensmanagment vom künstlerischen Tafelbild zu den bildgebenden Verfahren der Wissenschaft In Vom Tafelbild zum globalen Datenraum, edited by Peter WeibelOstfildern-Ruit: Hatje Cantz,
Pioniere Interaktiver Kunst von 1970 bis heute: Myron Krueger, Jeffrey Shaw, David Rokeby, Lynn Hershman, Grahame Weinbren, Ken Feingold
1997
Dinkla, Söke. Pioniere Interaktiver Kunst von 1970 bis heute: Myron Krueger, Jeffrey Shaw, David Rokeby, Lynn Hershman, Grahame Weinbren, Ken Feingold. Edition ZKM Karlsruhe, Ostfildern-Ruit: Hatje Cantz, 1997.
Hardware - Software - Artware: Die Konvergenz von Kunst und Technologie. Kunstpraktiken am ZKM Institut für Bildmedien 1992 - 1997
1997
ZKM Karlsruhe, ed. Hardware - Software - Artware: Die Konvergenz von Kunst und Technologie. Kunstpraktiken am ZKM Institut für Bildmedien 1992 - 1997. Ostfildern-Ruit: Hatje Cantz, 1997.
1
…
(more)
259
260
261
262
(current)
263
(more)
1301