Archive Search

PONTSCREEN : MINORITY REPORT STYLE INTERFACE 2003 PointScreen is an interface for touchless control of a screen. Inspired by the Theremin, the first electric musical instrument that can be played without touch, we have developed a digital technology

DIGITAL SPARKS : STUDENT CONTEST 2001 - 2008 The "Digital Sparks Matrix" is an interface for browsing all of the projects submitted to the " Digital Sparks" student competitions between 2001 and 2008 funded by the German Ministry for Research and

Between 0 and 1: Numerical Dream or the Generative Transformation of Virtual Space (1988) "Between Zero and One" is created by changing the numerical values of geometric shapes such as a cube. This process generates an infinite variety of

This work extends my investigation of shifts in spectatorship in the context of the digital. It seeks to bring a live social context to bear on acts of looking and being looked at that might more commonly occur through digital media. The work aims

A live performance and ‘game’ interface, which sought to provoke and subvert audience experiences and expectations of power, pleasure and control in the interactive environment. This performance was developed in collaboration with Nuno Lacerdo in

Unlooping Film | Cinema sem VoltaArtist: Giselle BeiguelmanComment:

Beleza Convulsiva Tropical discute a tensão entre natureza e cultura, o informal e o formal, as situações de enfrentamento entre controle e descontrole que se emaranham à história cultural e urbana do Brasil. Aqui os trópicos são entendidos como uma

Hewlett-Packard Pool OfficeArtist: (collective) Monika Fleischmann | Wolfgang StraussComment:

I Love Yr GIF is a project based on the culture of the first wave of net art, produced entirely with animated gifs taken from personal collections such as of Jimpunk, Marisa Olson and Superbad. Inspired by the iPad zooming features, here the low

Cinema Lascado (Chipped Movie) is an going video project by Giselle Beiguelman. It portrays devasted urban landscapes, where elevated expressways produced social fractures in the cultural territory of the cities in which they were built. Till now it